(Direct quote from Eddie in Rolling Stone about the trilogy)The story of the song is that a mother is with a father and the father dies. It's an intense thing because the son looks just like the father. The son grows up to be the father, the person that she lost. His father's dead, and now this confusion, his mother, his love, how does he love her, how does she love him? In fact, the mother, even though she marries somebody else, there's no one she's ever loved more than the father. You know how it is, first loves and stuff. And the guy dies. How could you ever get him back? But the son. He looks exactly like him. It's uncanny. So she wants him. The son is oblivious to it all. He doesn't know what the fuck is going on. He's still dealing, he's still growing up. He's still dealing with love, he's still dealing with the death of his father. All he knows is 'I'm still alive' -- those three words, that's totally out of burden.
Now the second verse is 'Oh she walks slowly into a young man's room... I can remember to this very day... the look... the look.' And I don't say anything else. And because I'm saying, 'The look, the look' everyone thinks it goes with 'on her face.' It's not on her face. The look is between her legs. Where do you go with that? That's where you came from."
But I'm still alive. I'm the lover that's still alive. And the whole conversation about 'You're still alive, she said' And his doubts: 'Do I deserve to be? Is that the question?' Because he's fucked up forever! So now he doesn't know how to deal with it. So what does he do, he goes out killing people -- that was 'Once.' He becomes a serial killer. And 'Footsteps,' the final song of the trilogy that's when he gets executed. That's what happens. The Green River killer... and in San Diego, there was another prostitute killer down there. Somehow I related to that. I think that happens more than we know. It's a modern way of dealing with a bad life.
(Direct quote from Eddie in Rolling Stone about the trilogy)The story of the song is that a mother is with a father and the father dies. It's an intense thing because the son looks just like the father. The son grows up to be the father, the person that she lost. His father's dead, and now this confusion, his mother, his love, how does he love her, how does she love him? In fact, the mother, even though she marries somebody else, there's no one she's ever loved more than the father. You know how it is, first loves and stuff. And the guy dies. How could you ever get him back? But the son. He looks exactly like him. It's uncanny. So she wants him. The son is oblivious to it all. He doesn't know what the fuck is going on. He's still dealing, he's still growing up. He's still dealing with love, he's still dealing with the death of his father. All he knows is 'I'm still alive' -- those three words, that's totally out of burden.
Now the second verse is 'Oh she walks slowly into a young man's room... I can remember to this very day... the look... the look.' And I don't say anything else. And because I'm saying, 'The look, the look' everyone thinks it goes with 'on her face.' It's not on her face. The look is between her legs. Where do you go with that? That's where you came from."
But I'm still alive. I'm the lover that's still alive. And the whole conversation about 'You're still alive, she said' And his doubts: 'Do I deserve to be? Is that the question?' Because he's fucked up forever! So now he doesn't know how to deal with it. So what does he do, he goes out killing people -- that was 'Once.' He becomes a serial killer. And 'Footsteps,' the final song of the trilogy that's when he gets executed. That's what happens. The Green River killer... and in San Diego, there was another prostitute killer down there. Somehow I related to that. I think that happens more than we know. It's a modern way of dealing with a bad life.