History is a cycle that the speaker is a part of, if not stuck in. The repeated stanza suggests this most clearly. This stanza sounds to me like the speaker is literally walking "sideways" through the aisle ("gutter") of a movie theatre, his feet literally sticking to the floor. This reminds him of history, I suppose, because it suggests all the people who were there before him, who spilt soda, popcorn, candy, etc on the floor, making it sticky. It also suggests an undeniable connection to those people who came before him and those people who will come after him, supposing he adds to the mess. What it ultimately signifies is his place in the cycle of history.
The song is obviously about history, but the story of history is the story of change, and change is the ultimate theme of the song.
But Brock, or the speaker, is ambivalent to the thought of change. He is in awe of it, and the mysteries of life, specifically how we got here, and how things develop. At the same time, he feels trapped in this cycle of change, and regrets the fact that he too is an organic, transforming, thing. Although he is in awe of exterior changes, he is terrified by interior changes, and regrets that he is also changing. He alludes to the old adage "a rolling stone gathers no moss," but flips it, because for him, he'd rather be a moss-gathering stone if it means it would break him out of this cycle of change.
The snake is the central metaphor of the whole song. The image of the snake eating its own tail is called the ouroboros, and is an ancient symbol of cyclicality, self-recreation, and eternal return. But instead of being a symbol of tranquility, it is a symbol of anxiety for the speaker, because change ultimately means death, and death (not change in its own right) is what the speaker fears most; he fears being "history."
A couple of things I guess I wanted to mention:
History is a cycle that the speaker is a part of, if not stuck in. The repeated stanza suggests this most clearly. This stanza sounds to me like the speaker is literally walking "sideways" through the aisle ("gutter") of a movie theatre, his feet literally sticking to the floor. This reminds him of history, I suppose, because it suggests all the people who were there before him, who spilt soda, popcorn, candy, etc on the floor, making it sticky. It also suggests an undeniable connection to those people who came before him and those people who will come after him, supposing he adds to the mess. What it ultimately signifies is his place in the cycle of history.
The song is obviously about history, but the story of history is the story of change, and change is the ultimate theme of the song.
But Brock, or the speaker, is ambivalent to the thought of change. He is in awe of it, and the mysteries of life, specifically how we got here, and how things develop. At the same time, he feels trapped in this cycle of change, and regrets the fact that he too is an organic, transforming, thing. Although he is in awe of exterior changes, he is terrified by interior changes, and regrets that he is also changing. He alludes to the old adage "a rolling stone gathers no moss," but flips it, because for him, he'd rather be a moss-gathering stone if it means it would break him out of this cycle of change.
The snake is the central metaphor of the whole song. The image of the snake eating its own tail is called the ouroboros, and is an ancient symbol of cyclicality, self-recreation, and eternal return. But instead of being a symbol of tranquility, it is a symbol of anxiety for the speaker, because change ultimately means death, and death (not change in its own right) is what the speaker fears most; he fears being "history."