A give/get problem here, not that it's something new...
He threatens not to fall in love with her until he gets 'a little more' (which is sex, most likely, but also maybe just some proof of feelings on her side).
But though he's determined not to do so, he can't help it: 'I know you're gonna get me in the end'
He can't resist her: 'Now you've been bad and it goes on... Till you come home' (thinks her bad, but when he sees her everything's forgotten)
Don't know why I wrote such an essay on a simple pop song though... ;P
A give/get problem here, not that it's something new...
He threatens not to fall in love with her until he gets 'a little more' (which is sex, most likely, but also maybe just some proof of feelings on her side).
But though he's determined not to do so, he can't help it: 'I know you're gonna get me in the end'
He can't resist her: 'Now you've been bad and it goes on... Till you come home' (thinks her bad, but when he sees her everything's forgotten)
Don't know why I wrote such an essay on a simple pop song though... ;P