I've always wondered (having personally witnessed many of Robyn's astonishing, seemingly extemporaneous between-song monologues) whether these stories are carefully-crafted, or whether his mind simply works this way.
Fair to assume Da Vinci's "Madonna of the Rocks" was a jumping-off point. Which is not to imply he landed anywhere within a parsec of that germ of an idea.
Fair to assume Da Vinci's "Madonna of the Rocks" was a jumping-off point. Which is not to imply he landed anywhere within a parsec of that germ of an idea.
I've always wondered (having personally witnessed many of Robyn's astonishing, seemingly extemporaneous between-song monologues) whether these stories are carefully-crafted, or whether his mind simply works this way.
Think I've just gotten my answer.
Fair to assume Da Vinci's "Madonna of the Rocks" was a jumping-off point. Which is not to imply he landed anywhere within a parsec of that germ of an idea.
Fair to assume Da Vinci's "Madonna of the Rocks" was a jumping-off point. Which is not to imply he landed anywhere within a parsec of that germ of an idea.