First and foremost, I definitely think this song is a testament to Eminem's perseverance in the game. He has pushed his skills to a new dimension and timezone, surpassing Jay-Z and Nas (yet i feel, nas is still lyrically up there) easily. I'm not going to compare Pac or Biggie, cuz they have passed away...but in terms of rapid delivery, with lyrical creativity, EM easily pushes Twista 3x.
He changes up the tempo of his delivery to rhythmically create vocals that are instrumental on their own.
The only thing i found a little odd was his use of the word, "fellow" because i feel that word is dated, but when he rhymed it with "You can still get roasted because Marsh is not mellow", it totally is acceptable.
There has been some words, floating on the internet, that EM, was a bit ticked that Lil Wayne, and Kayne were getting attention, when he clearly felt that they --- for the most part were a bit over-rated.
Well...you know how that saying goes. Keep your friends close, and your enemies closer?
That's what Eminem did. He did an Encore of Drake's Forever, and forever put lil wayne to shame, while grabbing the mic from Kayne, and sent him home, without a pen to his pad---jaws wide open, gag ball and all. Kayne is a plucked chicken.
In stead of stooping to Pac and Biggies level, Jay-z's and Nas's rivalry, and 50's and The Game's kiddy fest....
EM, takes his adversaries, raps with them, and puts them to SHAME!
Seriously, i think lil wayne is a joker, and needs to re-evaluate his style. It was cool with the Carter III, because it was "new/edgy" and took the world by storm, but now its repetitive, banal, and done. Lil Wayne sounds like his talking, there is no real delivery...like his technique is Juvenile compared to Em's. When Wayne speeds up his vocal delivery, it sounds like the start of Em's part.
I love the way Em rips on Kanye, i'm sure Taylor Swift is gonna be bumping this tune in whatever car she drives.
What i want? I want EM and NAS, to collaborate, and have DRE produce that shit. That's what i want to see...Not Wayne and Kanye, they both wanksta's.
Drake, has some potential, but lyrically his subject work is cliche. 40, is a good producer for him...i feel drake can easily eclipse Wayne and Kayne, but has miles before he can touch Nas, Jay, biggie, Pac, or EM.
i mostly agree with you, i think he secretly is showing them up on their own tracks or at least i like to pretend he is but he's respectful enough not to battle rap straight out as explained in "talkin' 2 myself." this may be part of the reason that it is not violent. there are a lot of lyrics interpreted as dissing lil wayne which may or may not be true (probably not if eminem is complimenting him and trying not to fight with people) but could easily be eminem showing him up ever so slyly. i think the...
i mostly agree with you, i think he secretly is showing them up on their own tracks or at least i like to pretend he is but he's respectful enough not to battle rap straight out as explained in "talkin' 2 myself." this may be part of the reason that it is not violent. there are a lot of lyrics interpreted as dissing lil wayne which may or may not be true (probably not if eminem is complimenting him and trying not to fight with people) but could easily be eminem showing him up ever so slyly. i think the VMA's reference is more of a reference than a diss towards kanye.
Don't you think it was more of a compliment to Kanye telling the whacks to get off the mic and Kanye come kick them off. Like he's saying he wants Kanye to rap.
Don't you think it was more of a compliment to Kanye telling the whacks to get off the mic and Kanye come kick them off. Like he's saying he wants Kanye to rap.
Don't you think it was more of a compliment to Kanye telling the whacks to get off the mic and Kanye come kick them off. Like he's saying he wants Kanye to rap.
Don't you think it was more of a compliment to Kanye telling the whacks to get off the mic and Kanye come kick them off. Like he's saying he wants Kanye to rap.
"Man get these whack cocksuckers off stage
Where the fuck is Kanye when you need him?"
>@Saxx
"Man get these whack cocksuckers off stage
Where the fuck is Kanye when you need him?"
/>
You're right, it 'could' be a suggestion for him, calling out to Kayne to get "whack cocksuckers off stage"
/>
You're right, it 'could' be a suggestion for him, calling out to Kayne to get "whack cocksuckers off stage"
"Snatch the mic from him, bitch I'mma let you finish in a minute
Yeah the rap is tight
But I'm fucking with the greatest verse of all time
So you might want to go back to the lab tonight and um
Scribble out them rhymes you were going to spit
And start over from scratch and write new ones"...
/>
"Snatch the mic from him, bitch I'mma let you finish in a minute
Yeah the rap is tight
But I'm fucking with the greatest verse of all time
So you might want to go back to the lab tonight and um
Scribble out them rhymes you were going to spit
And start over from scratch and write new ones"
/>
But the rest of this verse for the most part insinuates otherwise. In a literal sense, "cocksuckers" is plural, where in this stanza, "snatch the mic from him" is a singular reference. Eminem, a perfectionist, at this stage of the "game" is recognized as a technical lyricist. This verse, can be seen in two different lights, but to me, it seems as a, not-so-subtle multiplex of skipping stones creating everlasting ripples, taking some pacquiao'esq jabs at kayne.
Another take on the Kayne reference is, that bringing fourth Kanye to take the Mic, "as an dignifying gesture" but that Eminems rap is sooo "disgustingly sick", that I have to snatch the mic from Kayne...hence "Snatch the mic from him"...
Either way, It's taking stabs at Kayne in some way or another, but if south park can get away with, "fishdicks" then, Em, can prolly get away with verbal murder.
what are you talking about? he clearly respects lil wayne, t.i, and kanye. he's not dissing them, he's just making a reference to the vma's to make a metaphor not a subliminal diss. eminem always strayed away from doing what the other rapper do. he name names when he diss he doesnt take sublime shots
what are you talking about? he clearly respects lil wayne, t.i, and kanye. he's not dissing them, he's just making a reference to the vma's to make a metaphor not a subliminal diss. eminem always strayed away from doing what the other rapper do. he name names when he diss he doesnt take sublime shots
This song, is EPIC on so many levels.
First and foremost, I definitely think this song is a testament to Eminem's perseverance in the game. He has pushed his skills to a new dimension and timezone, surpassing Jay-Z and Nas (yet i feel, nas is still lyrically up there) easily. I'm not going to compare Pac or Biggie, cuz they have passed away...but in terms of rapid delivery, with lyrical creativity, EM easily pushes Twista 3x.
He changes up the tempo of his delivery to rhythmically create vocals that are instrumental on their own.
The only thing i found a little odd was his use of the word, "fellow" because i feel that word is dated, but when he rhymed it with "You can still get roasted because Marsh is not mellow", it totally is acceptable.
There has been some words, floating on the internet, that EM, was a bit ticked that Lil Wayne, and Kayne were getting attention, when he clearly felt that they --- for the most part were a bit over-rated.
Well...you know how that saying goes. Keep your friends close, and your enemies closer? That's what Eminem did. He did an Encore of Drake's Forever, and forever put lil wayne to shame, while grabbing the mic from Kayne, and sent him home, without a pen to his pad---jaws wide open, gag ball and all. Kayne is a plucked chicken.
In stead of stooping to Pac and Biggies level, Jay-z's and Nas's rivalry, and 50's and The Game's kiddy fest....
EM, takes his adversaries, raps with them, and puts them to SHAME!
Seriously, i think lil wayne is a joker, and needs to re-evaluate his style. It was cool with the Carter III, because it was "new/edgy" and took the world by storm, but now its repetitive, banal, and done. Lil Wayne sounds like his talking, there is no real delivery...like his technique is Juvenile compared to Em's. When Wayne speeds up his vocal delivery, it sounds like the start of Em's part.
I love the way Em rips on Kanye, i'm sure Taylor Swift is gonna be bumping this tune in whatever car she drives.
What i want? I want EM and NAS, to collaborate, and have DRE produce that shit. That's what i want to see...Not Wayne and Kanye, they both wanksta's.
Drake, has some potential, but lyrically his subject work is cliche. 40, is a good producer for him...i feel drake can easily eclipse Wayne and Kayne, but has miles before he can touch Nas, Jay, biggie, Pac, or EM.
EM IS ON TOP...and in the books forever.
TOO $HORT should start taking notes.
Peace out!
i mostly agree with you, i think he secretly is showing them up on their own tracks or at least i like to pretend he is but he's respectful enough not to battle rap straight out as explained in "talkin' 2 myself." this may be part of the reason that it is not violent. there are a lot of lyrics interpreted as dissing lil wayne which may or may not be true (probably not if eminem is complimenting him and trying not to fight with people) but could easily be eminem showing him up ever so slyly. i think the...
i mostly agree with you, i think he secretly is showing them up on their own tracks or at least i like to pretend he is but he's respectful enough not to battle rap straight out as explained in "talkin' 2 myself." this may be part of the reason that it is not violent. there are a lot of lyrics interpreted as dissing lil wayne which may or may not be true (probably not if eminem is complimenting him and trying not to fight with people) but could easily be eminem showing him up ever so slyly. i think the VMA's reference is more of a reference than a diss towards kanye.
Don't you think it was more of a compliment to Kanye telling the whacks to get off the mic and Kanye come kick them off. Like he's saying he wants Kanye to rap.
Don't you think it was more of a compliment to Kanye telling the whacks to get off the mic and Kanye come kick them off. Like he's saying he wants Kanye to rap.
Don't you think it was more of a compliment to Kanye telling the whacks to get off the mic and Kanye come kick them off. Like he's saying he wants Kanye to rap.
Don't you think it was more of a compliment to Kanye telling the whacks to get off the mic and Kanye come kick them off. Like he's saying he wants Kanye to rap.
>@Saxx
"Man get these whack cocksuckers off stage Where the fuck is Kanye when you need him?"
>@Saxx
"Man get these whack cocksuckers off stage Where the fuck is Kanye when you need him?"
/>
You're right, it 'could' be a suggestion for him, calling out to Kayne to get "whack cocksuckers off stage"
/>
You're right, it 'could' be a suggestion for him, calling out to Kayne to get "whack cocksuckers off stage"
"Snatch the mic from him, bitch I'mma let you finish in a minute Yeah the rap is tight But I'm fucking with the greatest verse of all time So you might want to go back to the lab tonight and um Scribble out them rhymes you were going to spit And start over from scratch and write new ones"...
/>
"Snatch the mic from him, bitch I'mma let you finish in a minute Yeah the rap is tight But I'm fucking with the greatest verse of all time So you might want to go back to the lab tonight and um Scribble out them rhymes you were going to spit And start over from scratch and write new ones"
/>
But the rest of this verse for the most part insinuates otherwise. In a literal sense, "cocksuckers" is plural, where in this stanza, "snatch the mic from him" is a singular reference. Eminem, a perfectionist, at this stage of the "game" is recognized as a technical lyricist. This verse, can be seen in two different lights, but to me, it seems as a, not-so-subtle multiplex of skipping stones creating everlasting ripples, taking some pacquiao'esq jabs at kayne.
Another take on the Kayne reference is, that bringing fourth Kanye to take the Mic, "as an dignifying gesture" but that Eminems rap is sooo "disgustingly sick", that I have to snatch the mic from Kayne...hence "Snatch the mic from him"...
Either way, It's taking stabs at Kayne in some way or another, but if south park can get away with, "fishdicks" then, Em, can prolly get away with verbal murder.
what are you talking about? he clearly respects lil wayne, t.i, and kanye. he's not dissing them, he's just making a reference to the vma's to make a metaphor not a subliminal diss. eminem always strayed away from doing what the other rapper do. he name names when he diss he doesnt take sublime shots
what are you talking about? he clearly respects lil wayne, t.i, and kanye. he's not dissing them, he's just making a reference to the vma's to make a metaphor not a subliminal diss. eminem always strayed away from doing what the other rapper do. he name names when he diss he doesnt take sublime shots
Just to say, the line is "snatch the mic form 'em" so it's still plural there.
Just to say, the line is "snatch the mic form 'em" so it's still plural there.