is about living in the same place for so long, there is a sense of displacement that can't be discouraged because it's placement is spatially involved within following setting where its characters follow the same role; it is this sham-of-a-life the speaker is so use to and can't make up for, and in attempting to change this role, only realises that this is also a "show" it is an imitation of another false existence, an art, like theatre, this is aesthetically pleasing yet insincere "now I feel stupid when I smile . . . a circus of our lives".
The speaker than comes up with the solution; to altogether remove himself/herself from the place lived in so long, to remove that attached persona, that persona that is purely a facade; in this the speaker would meet to romance and repeat the same long living, and cop out again and again, a rehearsal art; the existence that the sin city is always conflated in meditation but when realized no longer exists, thus the "take it back to the beginning"
is about living in the same place for so long, there is a sense of displacement that can't be discouraged because it's placement is spatially involved within following setting where its characters follow the same role; it is this sham-of-a-life the speaker is so use to and can't make up for, and in attempting to change this role, only realises that this is also a "show" it is an imitation of another false existence, an art, like theatre, this is aesthetically pleasing yet insincere "now I feel stupid when I smile . . . a circus of our lives". The speaker than comes up with the solution; to altogether remove himself/herself from the place lived in so long, to remove that attached persona, that persona that is purely a facade; in this the speaker would meet to romance and repeat the same long living, and cop out again and again, a rehearsal art; the existence that the sin city is always conflated in meditation but when realized no longer exists, thus the "take it back to the beginning"