This is a state I'm often in (although as an unrequited lover), that of wanting to stop thinking about someone you shouldn't be thinking about ("I've got to get over") and perhaps realising you never will. It's a sticky feeling (caramel). The sound of the song, particularly that stereo blast of delay effects is a very effective representation of the tumult a man feels either as an unrequited lover or as someone who's lost someone, particularly when Damon sings "low low low low" towards the end over that deliciously simple keyboard part. Love the dancehall piece that immediately follows.
This is a state I'm often in (although as an unrequited lover), that of wanting to stop thinking about someone you shouldn't be thinking about ("I've got to get over") and perhaps realising you never will. It's a sticky feeling (caramel). The sound of the song, particularly that stereo blast of delay effects is a very effective representation of the tumult a man feels either as an unrequited lover or as someone who's lost someone, particularly when Damon sings "low low low low" towards the end over that deliciously simple keyboard part. Love the dancehall piece that immediately follows.
it's actually 'love, love, love' but good comment
it's actually 'love, love, love' but good comment