Seems to me about a relationship that never really started, but that the narrator is very much in love with the subject, while the subject doesn't return it (Trouble loves me, Trouble needs me, Two things more than you do, Or would attempt to).
The line "On the flesh rampage - At your age!" tells that it's, in fact, the subject who's on the rampage, while the narrator is "Faced with the music, as always, I face it," because he's always the one stuck with the short end of the stick.
Still, as much as he tries to be apathetic, he can't deny that "at midnight I can't get you out of my head."
Quite sad, really! But so many of us have been there.
I don't think this song has anything to do with an ex-partner or a relationship. As in many of his songs, elements of it refer to "someone" not wanting to be with him, but this isn't necessarily about any particular person. The "two things more than you do" is just a clever way of using the figure of speech "trouble loves me" and isn't aimed at any specific person.
I don't think this song has anything to do with an ex-partner or a relationship. As in many of his songs, elements of it refer to "someone" not wanting to be with him, but this isn't necessarily about any particular person. The "two things more than you do" is just a clever way of using the figure of speech "trouble loves me" and isn't aimed at any specific person.
I think that the song is more about Morrissey's constant struggle with an unhealthy desire: his disenchanted taste. When it looks like he is finally...
I think that the song is more about Morrissey's constant struggle with an unhealthy desire: his disenchanted taste. When it looks like he is finally happy along comes something to destroy this happiness - lust, longing, desperation - all troubling emotions which also often lead to trouble.
He makes fun of himself making a fool of himself when trying to attract someone. This "flesh rampage" illustrates an insatiable appetite for affection, running from person to person. Despite his intelligence and ability to be funny on demand, there is still something pathetic about his need to seduce younger people and spend time with people who are no good for him but who he seeks out in seedy places (Soho).
The last verse continues the self deprecation with his admission that he's always writing about the same themes (scraping the barrel) but he is unapologetic about doing so and feels it is his duty to do so. The line "In the half-light, so English, frowning", refers to his common perception and how he has been photographed over the years; the front cover of Viva Hate springs to mind. Yet despite the legions of fans fawning over his image, there he is, alone at night, filled with the throbbing pain of desire for someone - a fan? A familiar face from his daily life who he can't approach? Anyone? And off he goes again, running after this elusive person who will never quench his emotional thirst. The irony of success.
Seems to me about a relationship that never really started, but that the narrator is very much in love with the subject, while the subject doesn't return it (Trouble loves me, Trouble needs me, Two things more than you do, Or would attempt to).
The line "On the flesh rampage - At your age!" tells that it's, in fact, the subject who's on the rampage, while the narrator is "Faced with the music, as always, I face it," because he's always the one stuck with the short end of the stick.
Still, as much as he tries to be apathetic, he can't deny that "at midnight I can't get you out of my head."
Quite sad, really! But so many of us have been there.
I don't think this song has anything to do with an ex-partner or a relationship. As in many of his songs, elements of it refer to "someone" not wanting to be with him, but this isn't necessarily about any particular person. The "two things more than you do" is just a clever way of using the figure of speech "trouble loves me" and isn't aimed at any specific person.
I don't think this song has anything to do with an ex-partner or a relationship. As in many of his songs, elements of it refer to "someone" not wanting to be with him, but this isn't necessarily about any particular person. The "two things more than you do" is just a clever way of using the figure of speech "trouble loves me" and isn't aimed at any specific person.
I think that the song is more about Morrissey's constant struggle with an unhealthy desire: his disenchanted taste. When it looks like he is finally...
I think that the song is more about Morrissey's constant struggle with an unhealthy desire: his disenchanted taste. When it looks like he is finally happy along comes something to destroy this happiness - lust, longing, desperation - all troubling emotions which also often lead to trouble.
He makes fun of himself making a fool of himself when trying to attract someone. This "flesh rampage" illustrates an insatiable appetite for affection, running from person to person. Despite his intelligence and ability to be funny on demand, there is still something pathetic about his need to seduce younger people and spend time with people who are no good for him but who he seeks out in seedy places (Soho).
The last verse continues the self deprecation with his admission that he's always writing about the same themes (scraping the barrel) but he is unapologetic about doing so and feels it is his duty to do so. The line "In the half-light, so English, frowning", refers to his common perception and how he has been photographed over the years; the front cover of Viva Hate springs to mind. Yet despite the legions of fans fawning over his image, there he is, alone at night, filled with the throbbing pain of desire for someone - a fan? A familiar face from his daily life who he can't approach? Anyone? And off he goes again, running after this elusive person who will never quench his emotional thirst. The irony of success.
Well, just my two cents.