I just saw MK on the 2008 leg of KTGC in Oregon USA. (Saw him in 2005 as well) My 70 something year old folks came up for the two shows in Oregon, and never having heard him or of him before, they were blown away by what a great performer he is live.
Putting together a mixed MP3 CD for their 900 mile road trip home, I went back and re-listened to some of the studio stuff to winnow out what made it and not unto the CD. I forgot just how good so many of the songs off of On Every Street was, including this one with the haunting melody.
Many of the early DS studio didn't make it on CD, for lets face it, he is so much better live, especially on the early stuff, but the last two albums, On Every Street and Brothers in Arms has more of the sound MK solo evolved into.
This song, rarely played on live boots I've add access to, stayed just because of the rich tapestry of sounds, the smokey voice, sax, as always great finger picking guitar work, and just great over all sound made it.
I just saw MK on the 2008 leg of KTGC in Oregon USA. (Saw him in 2005 as well) My 70 something year old folks came up for the two shows in Oregon, and never having heard him or of him before, they were blown away by what a great performer he is live.
Putting together a mixed MP3 CD for their 900 mile road trip home, I went back and re-listened to some of the studio stuff to winnow out what made it and not unto the CD. I forgot just how good so many of the songs off of On Every Street was, including this one with the haunting melody.
Many of the early DS studio didn't make it on CD, for lets face it, he is so much better live, especially on the early stuff, but the last two albums, On Every Street and Brothers in Arms has more of the sound MK solo evolved into.
This song, rarely played on live boots I've add access to, stayed just because of the rich tapestry of sounds, the smokey voice, sax, as always great finger picking guitar work, and just great over all sound made it.