I ask two questions. #1- why is a man in his 40s singing about a woman wearing fancy dresses and expensive jewelry in a classroom setting? #2-why is he singing blood?
Since the only way #1 could be possible is if he's in a classroom setting LOOKING AT a woman wearing fancy dresses and expensive jewelry to compare it to his upbringing IS IF he's in the classroom section of a dungeon. Well, then I'd have to say this is another BDSM song by DM. And if he's singing blood (Question #2), then he's probably getting a serious whipping in the classroom by Lilian.
But not to worry, he says, "Pain and misery
Always hit the spot." And it was ONLY "In the name of fun".
And if he hears her voice and has no choice, well, then I guess Lilian would be in complete control. And if he leaves the classroom dungeon, and can't get her voice out of his head, well, that's the type of session that songs are written about.
I ask two questions. #1- why is a man in his 40s singing about a woman wearing fancy dresses and expensive jewelry in a classroom setting? #2-why is he singing blood?
Since the only way #1 could be possible is if he's in a classroom setting LOOKING AT a woman wearing fancy dresses and expensive jewelry to compare it to his upbringing IS IF he's in the classroom section of a dungeon. Well, then I'd have to say this is another BDSM song by DM. And if he's singing blood (Question #2), then he's probably getting a serious whipping in the classroom by Lilian.
But not to worry, he says, "Pain and misery Always hit the spot." And it was ONLY "In the name of fun".
And if he hears her voice and has no choice, well, then I guess Lilian would be in complete control. And if he leaves the classroom dungeon, and can't get her voice out of his head, well, that's the type of session that songs are written about.