The final conclusion ...
The human being now apparently sees the light, he remembers the purity of his perception and the patience and alertness of his childhood; the human being now understands how to classify time and transience.
And now – “in the morning of withered nights” – he is able to entrust himself with an order and a security as he views time allegorically or rather personified as Nature in blazing colours, as “a play of light of a child-like being”; now, he no longer needs to feel lonely, and moreover, he wins time as a benevolent observer and witness to his uniqueness – and as a friend.
(The ideal expressed herein is without a doubt based on a considerable amount of narcissism. So be it. To narcissistically reach for the stars generally seems more agreeable to me than wallowing in self-denying depression and castigation.)
And not until the human being knows nothing more to reveal – frozen in body and mind – does the worldly time (the ceaseless curiosity) loose its interest – enter (otherworldly) Death (as a new audience) ...
(Maybe a naïve, but conciliatory and harmonious final performance.)
The final conclusion ... The human being now apparently sees the light, he remembers the purity of his perception and the patience and alertness of his childhood; the human being now understands how to classify time and transience. And now – “in the morning of withered nights” – he is able to entrust himself with an order and a security as he views time allegorically or rather personified as Nature in blazing colours, as “a play of light of a child-like being”; now, he no longer needs to feel lonely, and moreover, he wins time as a benevolent observer and witness to his uniqueness – and as a friend. (The ideal expressed herein is without a doubt based on a considerable amount of narcissism. So be it. To narcissistically reach for the stars generally seems more agreeable to me than wallowing in self-denying depression and castigation.) And not until the human being knows nothing more to reveal – frozen in body and mind – does the worldly time (the ceaseless curiosity) loose its interest – enter (otherworldly) Death (as a new audience) ...
(Maybe a naïve, but conciliatory and harmonious final performance.)