If I remember correctly, Trent wrote this track while reading my book, The Dead Emcee Scrolls. The chorus is him reading parts of the poem NGH WHT over the beat. I had told him I wanted to record a hip hop song with an unconventional time signature. When he handed me this track I was in shock. First because I didn't expect him to read my poetry and then because he said he recorded the chorus (as u hear it) with the intention of me replacing it with my own voice. I was quickly, like, "Dude, we gotta keep ur voice on the track". I heard Trent playing a twangy guitar riff that I really liked when we were mixing (I think he was in the next room testing a new pedal or sumthin and I asked him to play that same riff at the end of the song. It worked. Then he asked me to do the vocal riffs which also worked.
-Saul Williams
http://www.saulwilliams.com/cgi-bin/ubb/ultimatebb.cgi?ubb=get_topic;f=2;t=002361
If I remember correctly, Trent wrote this track while reading my book, The Dead Emcee Scrolls. The chorus is him reading parts of the poem NGH WHT over the beat. I had told him I wanted to record a hip hop song with an unconventional time signature. When he handed me this track I was in shock. First because I didn't expect him to read my poetry and then because he said he recorded the chorus (as u hear it) with the intention of me replacing it with my own voice. I was quickly, like, "Dude, we gotta keep ur voice on the track". I heard Trent playing a twangy guitar riff that I really liked when we were mixing (I think he was in the next room testing a new pedal or sumthin and I asked him to play that same riff at the end of the song. It worked. Then he asked me to do the vocal riffs which also worked. -Saul Williams http://www.saulwilliams.com/cgi-bin/ubb/ultimatebb.cgi?ubb=get_topic;f=2;t=002361