"It started as a song in two parts, and then we added a third and then a fourth, and at one point a fifth as well - there was a hip hop bit at the end.
"It's a song about a girl around town, and being in awe/hurt by a powerful woman about town. And it's a celebration of absurd musical juxtapositions. I think the final section makes the song valid, because up 'til then it's an exercise in classicist rock music.
"It features a great vocal by Daf in the third part. It was a monster track to mix. And it's our chance to indulge in pantomime death metal at the end.
"It seemed the obvious song to give to Pete Fowler and his boundless imagination. The film is as unpredictable as the song. He's pushed his work into another dimension, and embraced art deco, which is the last thing you'd think he'd embrace. Pete Fowler now refers to his art as Monsterism. He didn't want to be a minor player in a big classification so he invented his own movement, and he's the biggest player in his field.
"The album to this point is a great driving album. I've recently passed my test and it's given me a new outlook on music. At that point it might be where drowsiness might kick in, so it's for the lorry driver who's got comfortable with the Bacharach-style balladry."
"It started as a song in two parts, and then we added a third and then a fourth, and at one point a fifth as well - there was a hip hop bit at the end.
"It's a song about a girl around town, and being in awe/hurt by a powerful woman about town. And it's a celebration of absurd musical juxtapositions. I think the final section makes the song valid, because up 'til then it's an exercise in classicist rock music.
"It features a great vocal by Daf in the third part. It was a monster track to mix. And it's our chance to indulge in pantomime death metal at the end.
"It seemed the obvious song to give to Pete Fowler and his boundless imagination. The film is as unpredictable as the song. He's pushed his work into another dimension, and embraced art deco, which is the last thing you'd think he'd embrace. Pete Fowler now refers to his art as Monsterism. He didn't want to be a minor player in a big classification so he invented his own movement, and he's the biggest player in his field.
"The album to this point is a great driving album. I've recently passed my test and it's given me a new outlook on music. At that point it might be where drowsiness might kick in, so it's for the lorry driver who's got comfortable with the Bacharach-style balladry."