Her impression of this song sounds a bit like mine, which is that, while some of its lines are brilliantly acute: in the end, there's simply too much irony and too many references and too many words period to fit into 4:11. She's showing off on this one, and like the more over-the-top work of Michael Moore or Cindy Sheehan, it ultimately shoots itself in the foot.
No matter. She's got a healthy body of work that does not suffer from this problem, and it's to be celebrated.
Thanks for the quote, pnkseashel.
Her impression of this song sounds a bit like mine, which is that, while some of its lines are brilliantly acute: in the end, there's simply too much irony and too many references and too many words period to fit into 4:11. She's showing off on this one, and like the more over-the-top work of Michael Moore or Cindy Sheehan, it ultimately shoots itself in the foot.
No matter. She's got a healthy body of work that does not suffer from this problem, and it's to be celebrated.