I like the first part the most. Here's what I think each part is about.
The Horrible Fanfare: Someone takes a look at the world, and is convinced that we're at the end times. Everything is falling into chaos, and nothing can be done, but then...
Landslide: He meets someone, and inspired by her example, decides that there's still some corner of this chaotic world that he can preserve for himself. Though not entirely certain he's correct in that regard, he sets out to prove himself right. But...
Exoskeleton: Director Spike Jonze is one of the psychos talking about spaceships here. But the spiraling, unsettling melodic textures of this part are what counts. They're meant to indicate the uncertainty of a question raised from the first two parts. Is there really something left worth standing up for. Maybe not, but then again, maybe...
I like the first part the most. Here's what I think each part is about.
The Horrible Fanfare: Someone takes a look at the world, and is convinced that we're at the end times. Everything is falling into chaos, and nothing can be done, but then...
Landslide: He meets someone, and inspired by her example, decides that there's still some corner of this chaotic world that he can preserve for himself. Though not entirely certain he's correct in that regard, he sets out to prove himself right. But...
Exoskeleton: Director Spike Jonze is one of the psychos talking about spaceships here. But the spiraling, unsettling melodic textures of this part are what counts. They're meant to indicate the uncertainty of a question raised from the first two parts. Is there really something left worth standing up for. Maybe not, but then again, maybe...