Improvised, stream-of-consciousness stuff. Not planned at all, but it still sounds pretty impressive. As Mark says:
'As I said on the album description the vocal was completely spontaneous, nothing actually written when I stepped up to the mike to do the take. I'd tried to write something down but to be honest I was struggling and decided to use a 'stream f consciousness' approach, which involved a litre of wine in a very dark vocal booth. We did about six takes all in all, each completely different, but I could tell from the Producer's voice on the intercom that we had something special. I'd placed a glass on the floor, in the dark, and during te takes I'd somehow broken it without realising and cut myself. The Producer and engineer couldn't see me so when it was finished they drew back the curtain and turned on the lights to find me covered in blood, they thought, I think, that I'd been mutilating myself in the name of method performance. I did nothing to kill the myth :-)'
Improvised, stream-of-consciousness stuff. Not planned at all, but it still sounds pretty impressive. As Mark says:
'As I said on the album description the vocal was completely spontaneous, nothing actually written when I stepped up to the mike to do the take. I'd tried to write something down but to be honest I was struggling and decided to use a 'stream f consciousness' approach, which involved a litre of wine in a very dark vocal booth. We did about six takes all in all, each completely different, but I could tell from the Producer's voice on the intercom that we had something special. I'd placed a glass on the floor, in the dark, and during te takes I'd somehow broken it without realising and cut myself. The Producer and engineer couldn't see me so when it was finished they drew back the curtain and turned on the lights to find me covered in blood, they thought, I think, that I'd been mutilating myself in the name of method performance. I did nothing to kill the myth :-)'