Summers' 'Behind My Camel', notorious for winning a Grammy for the best instrumental composition, might or might not have deserved it, but where else will you encounter such a tremendous synth/guitar interlocking pattern? Of course, Andy's synth-processed guitar riff can get monotonous, but come on, it's less than three minutes long, and I have learned to treat these things as they deserve after listening to Brian Eno (Andy obviously listened to Brian Eno as well - and to Robert Fripp, too, to both of whom he owes a little something. He later collaborated with Fripp, by the way).
[George Starostin]
Summers' 'Behind My Camel', notorious for winning a Grammy for the best instrumental composition, might or might not have deserved it, but where else will you encounter such a tremendous synth/guitar interlocking pattern? Of course, Andy's synth-processed guitar riff can get monotonous, but come on, it's less than three minutes long, and I have learned to treat these things as they deserve after listening to Brian Eno (Andy obviously listened to Brian Eno as well - and to Robert Fripp, too, to both of whom he owes a little something. He later collaborated with Fripp, by the way). [George Starostin]