I do agree with the critics, however, that Copeland's third song on here, 'Does Everyone Stare', is radically different from the rest of the endless groove and is based more on German cabaret melodies than "white reggae". But it's nice and catchy anyway, and my golden rule #1 is this: if a song is good, it's good. Who cares if it disrupts a 'perfectly flowing' album? If it is really good, you'll get used to it anyway; if you can't get used to it, it wasn't that good in the first place. The Police might have inserted a doo-wop number in between 'Bring On The Night' and 'Deathwish' for all I care; if it were good, you wouldn't hear me complaining.
[George Starostin]
I do agree with the critics, however, that Copeland's third song on here, 'Does Everyone Stare', is radically different from the rest of the endless groove and is based more on German cabaret melodies than "white reggae". But it's nice and catchy anyway, and my golden rule #1 is this: if a song is good, it's good. Who cares if it disrupts a 'perfectly flowing' album? If it is really good, you'll get used to it anyway; if you can't get used to it, it wasn't that good in the first place. The Police might have inserted a doo-wop number in between 'Bring On The Night' and 'Deathwish' for all I care; if it were good, you wouldn't hear me complaining. [George Starostin]