Miss Anie is right, I've never found out why he had written it at that time, why HE had written it at all. It's so not like him, ok it's on Queen I, so he wasn't all about "Let me entertain you all, dears", he gave more of himself probably, and was trying to find his own style. Actually in Queen I, they ALL had to find their own style, who has started to come to life in Queen II, to be totally found in ANATO. In between Sheer heart attack was some sort of rehearsal, a little evolution. You can see it as the choirs in Killer Queen have changed since "Fairy feller's masterstroke" or "March of the black Queen", it's softer, more opera like, before of course Bo Rhap, that lead to all the "somebody to love", "we are the champions" and such (concerning the choirs style and multi tracking etc)
Miss Anie is right, I've never found out why he had written it at that time, why HE had written it at all. It's so not like him, ok it's on Queen I, so he wasn't all about "Let me entertain you all, dears", he gave more of himself probably, and was trying to find his own style. Actually in Queen I, they ALL had to find their own style, who has started to come to life in Queen II, to be totally found in ANATO. In between Sheer heart attack was some sort of rehearsal, a little evolution. You can see it as the choirs in Killer Queen have changed since "Fairy feller's masterstroke" or "March of the black Queen", it's softer, more opera like, before of course Bo Rhap, that lead to all the "somebody to love", "we are the champions" and such (concerning the choirs style and multi tracking etc)
@Ourania You guys are lame if you don't do your research!
@Ourania You guys are lame if you don't do your research!