"This one and 'Beat Down The Kid' are about a girl I liked named Melanie. To this day she thinks I’m a fucking idiot. But she’s the sharpest. She’s like the RZA. She fuckin’ cuts you up. She’s the kind of girl who takes you home and, in the middle of making out with you, she’d lean over and say, 'My brother’s half-retarded.' Just as you were about to put it in. Not that I ever did. I just had a crush on her.
But actually, '1330 Oak' was about the night that I was finally like, 'You know what? Fuck you. You hate me. What am I doing?' I had such a one-sided crush on her. She thought I was so lame and it was obvious, too. It was one of those things where I finally had to say, 'Goddamn, I have no self-respect. None.'"
"This one and 'Beat Down The Kid' are about a girl I liked named Melanie. To this day she thinks I’m a fucking idiot. But she’s the sharpest. She’s like the RZA. She fuckin’ cuts you up. She’s the kind of girl who takes you home and, in the middle of making out with you, she’d lean over and say, 'My brother’s half-retarded.' Just as you were about to put it in. Not that I ever did. I just had a crush on her. But actually, '1330 Oak' was about the night that I was finally like, 'You know what? Fuck you. You hate me. What am I doing?' I had such a one-sided crush on her. She thought I was so lame and it was obvious, too. It was one of those things where I finally had to say, 'Goddamn, I have no self-respect. None.'"