there's this interesting shift in the music rhythm which starts with with "I hit the mark!
I target moon, I target sky, I target sun. Fall down on the world. Fall down on the world. Fall down on the world...before it falls on you." singed by the backvocal with a sense of permanence, deeper feeling, that is somewhat antithetic in relation to the main vocal and makes a perfect "coupling by contrast".
there's this interesting shift in the music rhythm which starts with with "I hit the mark!
I target moon, I target sky, I target sun. Fall down on the world. Fall down on the world. Fall down on the world...before it falls on you." singed by the backvocal with a sense of permanence, deeper feeling, that is somewhat antithetic in relation to the main vocal and makes a perfect "coupling by contrast".
I really cannot stop listening to this song, "fall down on the world before it falls on you" just really fucking great.
there's this interesting shift in the music rhythm which starts with with "I hit the mark! I target moon, I target sky, I target sun. Fall down on the world. Fall down on the world. Fall down on the world...before it falls on you." singed by the backvocal with a sense of permanence, deeper feeling, that is somewhat antithetic in relation to the main vocal and makes a perfect "coupling by contrast".
there's this interesting shift in the music rhythm which starts with with "I hit the mark! I target moon, I target sky, I target sun. Fall down on the world. Fall down on the world. Fall down on the world...before it falls on you." singed by the backvocal with a sense of permanence, deeper feeling, that is somewhat antithetic in relation to the main vocal and makes a perfect "coupling by contrast".