In response to the person who commented on "Sally J" being from "Number 4." It's deliberate. Do you really think the guy wrote an entire song in rhyme and suddenly hit his head in the middle of it for a momentary lapse then never noticed it during the entire recording and mixing session? And that nobody else noticed it either when it so obviously sticks out? This is referred to as a cheating rhyme, althought there's another term for it as well which I forget. Many poets use it, such as Emily Dickinson. What it does is put emphasis on the line so that you won't get bored of hearing he same old couplets over and oer again. It also relies heavily on your anticipating the coming rhyme. It's quite clever. I believe every time a poet does it they do it with a sly look in their eyes.
In response to the person who commented on "Sally J" being from "Number 4." It's deliberate. Do you really think the guy wrote an entire song in rhyme and suddenly hit his head in the middle of it for a momentary lapse then never noticed it during the entire recording and mixing session? And that nobody else noticed it either when it so obviously sticks out? This is referred to as a cheating rhyme, althought there's another term for it as well which I forget. Many poets use it, such as Emily Dickinson. What it does is put emphasis on the line so that you won't get bored of hearing he same old couplets over and oer again. It also relies heavily on your anticipating the coming rhyme. It's quite clever. I believe every time a poet does it they do it with a sly look in their eyes.