Taken from the official site and mouth of Dani Filth:
Nymphetamine
The title track concerns itself with a love affair so intense, that although soured and dead, ignites at the slightest sniff of re-invention. The first hand characterisation insinuates a drug-like addiction to the woman in question, with her insidious vampyre qualities literally bringing Her lover back from the brink of the spiritual grave, only to bury him further on the strength of a whim. This is very Edgar Allan Poe in style and leaves one thinking that, despite the character's inner agonies, he is really a welcome submissive who readily enjoys the terrible highs and lows of his relationship with this alluring and filthy, depreciative succubus. The cool thing about this song is that it is really a beast of several parts. A chimera. The main hub of the song is very lovelorn and drowsily melodic and it is these traits combined with shared female and male vocal passages that serve to highlight the plight of this, the title track of the album. However, this catchier side to C.O.F (a la 'Malice' and Babalon') is offset next to the first and last parts of the song which all come together to form a darkly erotic triptych.
These two sections reveal another chorus augmented with an exceedingly creepy and menacing lead line that bursts suddenly (and frenetically) into brutal riffage along the lines of: Napalm Death and Mayhem.
Taken from the official site and mouth of Dani Filth:
Nymphetamine
The title track concerns itself with a love affair so intense, that although soured and dead, ignites at the slightest sniff of re-invention. The first hand characterisation insinuates a drug-like addiction to the woman in question, with her insidious vampyre qualities literally bringing Her lover back from the brink of the spiritual grave, only to bury him further on the strength of a whim. This is very Edgar Allan Poe in style and leaves one thinking that, despite the character's inner agonies, he is really a welcome submissive who readily enjoys the terrible highs and lows of his relationship with this alluring and filthy, depreciative succubus. The cool thing about this song is that it is really a beast of several parts. A chimera. The main hub of the song is very lovelorn and drowsily melodic and it is these traits combined with shared female and male vocal passages that serve to highlight the plight of this, the title track of the album. However, this catchier side to C.O.F (a la 'Malice' and Babalon') is offset next to the first and last parts of the song which all come together to form a darkly erotic triptych. These two sections reveal another chorus augmented with an exceedingly creepy and menacing lead line that bursts suddenly (and frenetically) into brutal riffage along the lines of: Napalm Death and Mayhem.
Take it for what you will.