"...tacit references are made to the child's sexual abuse: 'Fifteen stitches will mend those britches right and then rip them down again.' The following line shows the mother continuing to bemoan her abjection, revealing some anti-Semitism in the process: 'And what do we do with ten dirty Jews, a thirty-ought full of rock salt and a warm afternoon?' The most explicit allusion to Odalisque's abuse is manifested in the last carnal lines which are sung to the throbbing pulse of the guitar: 'Lay you belly under mine/Naked under me/Such a filthy dimming shine/The way you kick and scream.' The song ends with the narrator pressing the subject of Odalisque's origin again, leaving us with the impression that the narrator feels Odalisque's fate is not that of her own, but of the remiss wench who birthed her."
sorry, there was more...
"...tacit references are made to the child's sexual abuse: 'Fifteen stitches will mend those britches right and then rip them down again.' The following line shows the mother continuing to bemoan her abjection, revealing some anti-Semitism in the process: 'And what do we do with ten dirty Jews, a thirty-ought full of rock salt and a warm afternoon?' The most explicit allusion to Odalisque's abuse is manifested in the last carnal lines which are sung to the throbbing pulse of the guitar: 'Lay you belly under mine/Naked under me/Such a filthy dimming shine/The way you kick and scream.' The song ends with the narrator pressing the subject of Odalisque's origin again, leaving us with the impression that the narrator feels Odalisque's fate is not that of her own, but of the remiss wench who birthed her."