there's something about the juxtaposition of the religious in the beginning with talk of pills, and the ending part which is more "hardcore" if you can call it that...it seems to work really neatly, and richard ashcroft injects a certain seething anguish that i find awesome
there's something about the juxtaposition of the religious in the beginning with talk of pills, and the ending part which is more "hardcore" if you can call it that...it seems to work really neatly, and richard ashcroft injects a certain seething anguish that i find awesome