Wayne says in liner notes:
"The basic chords and vocal melody come out of CD No.1. On CDs No.2, No.3 and No.4 are different arrangements of instruments and melodies that, played against the song, but played all together, form a dense, abstract cloud of interweaving and unrelated moods that seem to hover along with the song regardless of rhythm.. the concept of the song is based around a conversation I had with Michelle about the "other word" she is in during her menstrual periods...and the kind of dull and depressing, mild insanity that seems to possess her, even though she knows it's coming, and has been through it a million times, it arrives new and uncontrollable every time... The long drifting guitar solo section tries to imply the "unconnectedness" she feels with her own self. The little "cartoon sounding" glips or the "machine" sound implies the clock-like "mechanicalness" of nature."
Wayne says in liner notes: "The basic chords and vocal melody come out of CD No.1. On CDs No.2, No.3 and No.4 are different arrangements of instruments and melodies that, played against the song, but played all together, form a dense, abstract cloud of interweaving and unrelated moods that seem to hover along with the song regardless of rhythm.. the concept of the song is based around a conversation I had with Michelle about the "other word" she is in during her menstrual periods...and the kind of dull and depressing, mild insanity that seems to possess her, even though she knows it's coming, and has been through it a million times, it arrives new and uncontrollable every time... The long drifting guitar solo section tries to imply the "unconnectedness" she feels with her own self. The little "cartoon sounding" glips or the "machine" sound implies the clock-like "mechanicalness" of nature."