This song, to me, is about the fleeting thrills and glory of "ecstatic events" in one's life, be it becoming a rock star, playing a new record for the first time, winning a contest, or findng a perfect lover. "MR" is a classic "Rock & Roll Anthem" for those of us that are, as Hedwig so eloquently states, "the misfits and the losers"...
Thie pace and tempo of this songare as important to the meaning as the lyrics. "MR" starts out slow and brooding, like that uneasy moment of anticipation before stepping out onto a stage, or that hesitant second before piercing the cellophane on a new LP (does anyone other than me even buy vinyl anymore?).
Then the pace picks up a bit at the first chorus, and a hint of the "anthem" nature of this song starts to become apparent in the climing scales and soaring sustains.
Then the "Here's to" verse, really belts it out in true "anthem" spirit, ending with Hedwig practically growling out the work "tonight". And the "Yea, you know" harmony line is one of those rare musical moments that sends shivers down my back every time I hear it. This build to the climax of this song is, of course, representative of that glorious moment when those ecstatic events in one's life are peaking--the house lights come up to a roaring crowd, that first passionate kiss, the moment when the needle first drops in the groove of a new record and those first notes come from the speakers...
And of course the finale' "Lift up your hands" repeating over and over again, is the traling end of those ecstatic events, when the adrenaline rush is starting to taper off. The song gets louder, and then, although it still tingles with energy and power, it slowly fades out.
This song, to me, is about the fleeting thrills and glory of "ecstatic events" in one's life, be it becoming a rock star, playing a new record for the first time, winning a contest, or findng a perfect lover. "MR" is a classic "Rock & Roll Anthem" for those of us that are, as Hedwig so eloquently states, "the misfits and the losers"...
Thie pace and tempo of this songare as important to the meaning as the lyrics. "MR" starts out slow and brooding, like that uneasy moment of anticipation before stepping out onto a stage, or that hesitant second before piercing the cellophane on a new LP (does anyone other than me even buy vinyl anymore?).
Then the pace picks up a bit at the first chorus, and a hint of the "anthem" nature of this song starts to become apparent in the climing scales and soaring sustains.
Then the "Here's to" verse, really belts it out in true "anthem" spirit, ending with Hedwig practically growling out the work "tonight". And the "Yea, you know" harmony line is one of those rare musical moments that sends shivers down my back every time I hear it. This build to the climax of this song is, of course, representative of that glorious moment when those ecstatic events in one's life are peaking--the house lights come up to a roaring crowd, that first passionate kiss, the moment when the needle first drops in the groove of a new record and those first notes come from the speakers...
And of course the finale' "Lift up your hands" repeating over and over again, is the traling end of those ecstatic events, when the adrenaline rush is starting to taper off. The song gets louder, and then, although it still tingles with energy and power, it slowly fades out.
Just like "real life... :)
--Kalligraphos