This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
So cold are the spaces between the stars...
For blackened suns are the only legacy of worlds long dead.
The key word of Transcendence!
The key word of Transference!
I shall liberate the rightful owners of the Lexicon...
The true rulers of the cosmos!
X'atham-ry'aa! Tha'zai-tonn!
Darker than a score of hells, Wherein astral horrors dwell,
Macrocosmic realms aflame...
Prey of fiends that have no name!
X'atham-ry'aa! Tha'zai-tonn!
Darker than a score of hells...
Where astral horrors sublime dwell,
Macrocosmic realms aflame...
Bow to the gods that have no name!
So cold, at the heart of a frozen star...
Stay thy hand and thy tongue, slave of the Outer Darkness...
Surely you are not foolhardy enough to dare awaken the dire titans of Z'xulth!
Hidden within the blazing core of this sun is that which I seek, old one.
Do not seek to thwart me,
Lest the horrors of oblivion be a balm to your time-addled mind.
Behold the cosmic codex! The tome of the astral abyss!
Such diabolical evil...
Sublime macrocosmic malevolence!
Fear is the power... Terror is the key!
X'atham-ry'aa... Tha'zai-tonn!
I am replete with sovereign mastery!
The portals to the Outer Darkness yawn wide once more!
They-Who-Lurk-And-Breed-In-Limbo are free!
Kur'oc! Gul-Kor! I have won... bow, yield, kneel! Darken the sun...
Narra, Gorra, Kaasha! I arise... bow, yield, kneel! Parhelion dies...
Narra, Gorra, Kaasha! I can taste the sweet ichors of omni potency upon my lips...
Let it begin! X'atham-ry'aa j'aiigh! Tha'zai-tonn nax'a-gorrha!
So cold, the spaces between the stars...
'atham-ry'aa... Tha'zai-tonn...
Such carnage wrought with your malevolent tongue, dark one...
What unfathomable horrors dwell within the lightless corners of your cursed soul?
Heed not the voice of the Lexicon... lest its whispers drive you mad!
For blackened suns are the only legacy of worlds long dead.
The key word of Transcendence!
The key word of Transference!
I shall liberate the rightful owners of the Lexicon...
The true rulers of the cosmos!
X'atham-ry'aa! Tha'zai-tonn!
Darker than a score of hells, Wherein astral horrors dwell,
Macrocosmic realms aflame...
Prey of fiends that have no name!
X'atham-ry'aa! Tha'zai-tonn!
Darker than a score of hells...
Where astral horrors sublime dwell,
Macrocosmic realms aflame...
Bow to the gods that have no name!
So cold, at the heart of a frozen star...
Stay thy hand and thy tongue, slave of the Outer Darkness...
Surely you are not foolhardy enough to dare awaken the dire titans of Z'xulth!
Hidden within the blazing core of this sun is that which I seek, old one.
Do not seek to thwart me,
Lest the horrors of oblivion be a balm to your time-addled mind.
Behold the cosmic codex! The tome of the astral abyss!
Such diabolical evil...
Sublime macrocosmic malevolence!
Fear is the power... Terror is the key!
X'atham-ry'aa... Tha'zai-tonn!
I am replete with sovereign mastery!
The portals to the Outer Darkness yawn wide once more!
They-Who-Lurk-And-Breed-In-Limbo are free!
Kur'oc! Gul-Kor! I have won... bow, yield, kneel! Darken the sun...
Narra, Gorra, Kaasha! I arise... bow, yield, kneel! Parhelion dies...
Narra, Gorra, Kaasha! I can taste the sweet ichors of omni potency upon my lips...
Let it begin! X'atham-ry'aa j'aiigh! Tha'zai-tonn nax'a-gorrha!
So cold, the spaces between the stars...
'atham-ry'aa... Tha'zai-tonn...
Such carnage wrought with your malevolent tongue, dark one...
What unfathomable horrors dwell within the lightless corners of your cursed soul?
Heed not the voice of the Lexicon... lest its whispers drive you mad!
Add your thoughts
Log in now to tell us what you think this song means.
Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!
More Featured Meanings
Son Şansın - Şarkı Sözleri
Hayalperest
Hayalperest
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Page
Ed Sheeran
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.