Classic love story true to his western tx roots. One of my favorites as a story, but I think there are alot of songs that are amazing not even listed on this site. I guess I should figure out how to add them, because I have about 8 REK cd's.
Ain't it just like the night to play tricks when you're tryin' to be so quiet?
We sit here stranded, though we're all doin' our best to deny it
And Louise holds a handful of rain, temptin' you to defy it
Lights flicker from the opposite loft
In this room the heat pipes just cough
The country music station plays soft
But there's nothing, really nothing to turn off
Just Louise and her lover so entwined
And these visions of Johanna that conquer my mind
In the empty lot where the ladies play blindman's bluff with the key chain
And the all-night girls they whisper of escapades out on the "D" train
We can hear the night watchman click his flashlight
Ask himself if it's him or them that's insane
Louise, she's all right, she's just near
She's delicate and seems like the mirror
But she just makes it all too concise and too clear
That Johanna's not here
The ghost of 'lectricity howls in the bones of her face
Where these visions of Johanna have now taken my place
Now, little boy lost, he takes himself so seriously
He brags of his misery, he likes to live dangerously
And when bringing her name up
He speaks of a farewell kiss to me
He's sure got a lotta gall to be so useless and all
Muttering small talk at the wall while I'm in the hall
How can I explain?
It's so hard to get on
And these visions of Johanna, they kept me up past the dawn
Inside the museums, infinity goes up on trial
Voices echo this is what salvation must be like after a while
But Mona Lisa musta had the highway blues
You can tell by the way she smiles
See the primitive wallflower freeze
When the jelly-faced women all sneeze
Hear the one with the mustache say, "Jeez, I can't find my knees"
Oh, jewels and binoculars hang from the head of the mule
But these visions of Johanna, they make it all seem so cruel
The peddler now speaks to the countess who's pretending to care for him
Sayin', "Name me someone that's not a parasite and I'll go out and say a prayer for him"
But like Louise always says
"Ya can't look at much, can ya man?"
As she, herself, prepares for him
And Madonna, she still has not showed
We see this empty cage now corrode
Where her cape of the stage once had flowed
The fiddler, he now steps to the road
He writes ev'rything's been returned which was owed
On the back of the fish truck that loads
While my conscience explodes
The harmonicas play the skeleton keys and the rain
And these visions of Johanna are now all that remain
We sit here stranded, though we're all doin' our best to deny it
And Louise holds a handful of rain, temptin' you to defy it
Lights flicker from the opposite loft
In this room the heat pipes just cough
The country music station plays soft
But there's nothing, really nothing to turn off
Just Louise and her lover so entwined
And these visions of Johanna that conquer my mind
In the empty lot where the ladies play blindman's bluff with the key chain
And the all-night girls they whisper of escapades out on the "D" train
We can hear the night watchman click his flashlight
Ask himself if it's him or them that's insane
Louise, she's all right, she's just near
She's delicate and seems like the mirror
But she just makes it all too concise and too clear
That Johanna's not here
The ghost of 'lectricity howls in the bones of her face
Where these visions of Johanna have now taken my place
Now, little boy lost, he takes himself so seriously
He brags of his misery, he likes to live dangerously
And when bringing her name up
He speaks of a farewell kiss to me
He's sure got a lotta gall to be so useless and all
Muttering small talk at the wall while I'm in the hall
How can I explain?
It's so hard to get on
And these visions of Johanna, they kept me up past the dawn
Inside the museums, infinity goes up on trial
Voices echo this is what salvation must be like after a while
But Mona Lisa musta had the highway blues
You can tell by the way she smiles
See the primitive wallflower freeze
When the jelly-faced women all sneeze
Hear the one with the mustache say, "Jeez, I can't find my knees"
Oh, jewels and binoculars hang from the head of the mule
But these visions of Johanna, they make it all seem so cruel
The peddler now speaks to the countess who's pretending to care for him
Sayin', "Name me someone that's not a parasite and I'll go out and say a prayer for him"
But like Louise always says
"Ya can't look at much, can ya man?"
As she, herself, prepares for him
And Madonna, she still has not showed
We see this empty cage now corrode
Where her cape of the stage once had flowed
The fiddler, he now steps to the road
He writes ev'rything's been returned which was owed
On the back of the fish truck that loads
While my conscience explodes
The harmonicas play the skeleton keys and the rain
And these visions of Johanna are now all that remain
Lyrics submitted by dreambox, edited by Mellow_Harsher, christoforo
Visions of Johanna Lyrics as written by Bob Dylan
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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its amazing how far music can come.. 24 years after it released and its one of the most heartfelt songs ive heard
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Like a lot of the other comments are saying, I think this mainly about voyeurism. If the song was about his girlfriend, then why would he use the word spy. If you are a spy it means you shouldn't be caught, that is kind of the whole point, and if you are a voyeur, the whole point of the pleasure you get from it, is the fact that the other people don't know you are watching them. See a bit of a connection there?
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There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
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DO NOT READ THE FOLLOWING UNLESS YOU WANT TO KNOW WHAT THE SONG IS REALLY ABOUT.
Ain't it just like the night to play tricks when you're tryin' to be so quiet?
Pre-WWII. America is attempting neutrality. Hitler and the Japanese won't allow it. "Night" - this was a dark time in history.
We sit here stranded, though we're all doin' our best to deny it
The ordinary American citizen. Depression = stranded. The american attitude does just that - deny it.
And Louise holds a handful of rain, temptin' you to defy it
Louise is the promise of escape from depression by means of war. She's tempting America to see what happens if she doesn't go to war. Isolationism is dangerous.
Lights flicker from the opposite loft
Lights like lightning flickering. The opposite loft from America would be Europe. The war is raging on in Europe.
In this room the heat pipes just cough
Again, America struggling to "stay warm". The imagery is important here. It screams of struggling America.
The country music station plays soft But there's nothing, really nothing to turn off
What else could "country music station" be related to than America. Are there any other countries that remind you of "country music station" more that America?
Just Louise and her lover so entwined
Her lover being all those that have fallen into her arms. Remember what Louise was?
And these visions of Johanna that conquer my mind
These visions of Johanna - it's hard to say. It's a concept most of us find hard to grasp. A world we've never known. A kind of peace beyond imagination. There is no known time or place that has possessed "Johanna".
In the empty lot where the ladies play blindman's bluff with the key chain
The "empty lot" = Atlantic Ocean. "ladies" and their bickering. "Blindman's bluff" was what they called the Sub game in the atlantic. That with all of Hitler's U-boats and such. It is refered to as "Blind man's bluff". Look it up if you like.
And the all-night girls they whisper of escapades out on the "D" train
I'm going to leave this line for someone else to fill in. Come on, give a shot.
We can hear the night watchman click his flashlight Ask himself if it's him or them that's really insane
Who's insane. Me, the American, No. No the Nazi's. No. The English, french, .... Hell, I don't know.
Louise, she's all right, she's just near
Yea, war to save ourselves from Depression or recession. It's been done throughout history, why stop now?
She's delicate and seems like the mirror
Louise is delicate indeed. Tread lightly when playing with war.
But she just makes it all too concise and too clear That Johanna's not here
Of course she's not. We've yet to see Johanna.
The ghost of 'lectricity howls in the bones of her face
I can't stop thinking that this image was supposed to make me think of the dead. Ghost, bones, howls. It is the dead soilders after the war.
Where these visions of Johanna have now taken my place
Has bob lost himself to the idealogical thoughts. Is he so entwined with Johanna now that it's all his life's about. I think this is the most personal line in the song.
Now, little boy lost, he takes himself so seriously
The little boy is the new world after the war. Everythings different and America and Russia don't think it's a game. They're playing for all kinds of prizes. Europe mostly, we all know the ending.
He brags of his misery, he likes to live dangerously
Yes, Nuclear war is dangerous.
And when bringing her name up He speaks of a farewell kiss to me
Now the question is: Did the little boy kiss Johanna or Louise. Easy answer: He kissed Louise and by speaking of it he's stating how badly he wants it back and all the glory that comes with it. War at this point will be a way of life to continue the economic prosperity.
He's sure got a lotta gall to be so useless and all
NO SHIT!
Muttering small talk at the wall while I'm in the hall
Yes Bob, there is little a man like yourself can do. Sing to the wall until you're blue in face but you know that you can't change the greed the world's been infected with at this point.
How can I explain? Oh, it's so hard to get on And these visions of Johanna, they kept me up past the dawn
Here we see that he's been thinking of lovely Johanna until the light begins to shine. What is this? Light shining on our world? How has this happened?
Like This: (figure the rest out for yourself you lazy song listeners. This one was easy)
Inside the museums, Infinity goes up on trial Voices echo this is what salvation must be like after a while But Mona Lisa musta had the highway blues You can tell by the way she smiles See the primitive wallflower freeze When the jelly-faced women all sneeze Hear the one with the mustache say, "Jeeze I can't find my knees" Oh, jewels and binoculars hang from the head of the mule But these visions of Johanna, they make it all seem so cruel
The peddler now speaks to the countess who's pretending to care for him Sayin', "Name me someone that's not a parasite and I'll go out and say a prayer for him" But like Louise always says "Ya can't look at much, can ya man?" As she, herself, prepares for him And Madonna, she still has not showed We see this empty cage now corrode Where her cape of the stage once had flowed The fiddler, he now steps to the road He writes ev'rything's been returned which was owed On the back of the fish truck that loads While my conscience explodes The harmonicas play the skeleton keys and the rain And these visions of Johanna are now all that remain
Thanks for the warning on your analysis .. I'm sure that's what the song is REALLY about. (hope you sensed a wee bit of sarcasm.) I think everyone has a different take on the song, equally valuable and unique, but I think that what makes the song so amazing. It's open to so many different interpretations. I respect yours too, but I think taking it as FACT and saying "this one was easy" is very silly of you.. Bob Dylan is a lyrical genius and his songs will never be "easy" to interpret because there is no literal translation! :)
yeahhhh agreed alanraee3. and lukethedrifter- what the ffuck? i bet it took you more time to research that shit than it did for bob dylan to come up with the whole entire song. He is just playing with words, fiddling with rhymes and references. I heard this was a tribute to Nico.
that was the the worst interpretation ever, seriously guy, you just took a word and related it to something totally unrelated<br /> <br /> ""empty lot" = Atlantic Ocean." WTF<br /> <br /> dont say this one was easy cause you have clearly failed, it2 not about aamerica in ww2
this is a great interpretation and there is nothing wrong with analyzing art. How can you decide whether or not you like something without analyzing it? that is just banal.<br /> in logic, most of these posters get an f...and in history too. <br /> <br /> I agree with luke. this song is definitely about the holocaust, but undeniably, like any dylan song, probably insinuates a zillion layers of meaning. and with dylan, looking at things from a psychological emotional standpoint is often good, but I too think this song has a literal meaning as well.<br /> <br /> i think the wall refers to a wailing wall... the d train to new york city. <br /> the fat woman reference might have something to do with bystander apathy of people who were witnesses to the ongoings of the holocaust who did nothing but eat and get fatter rather than try to stop it - a stark contrast to people who became skin and bones while their hair was shaved off or fell out.<br /> I took some of the song in a different way though thinking that "visions of johanna" was a metaphor for death or fear of death which was louise's lover because it was a contstant preoccupation that ruined her relationship with her family. eventually it took over everyone there and I think it is also a metaphor for lack of faith in humanity. <br /> <br /> Bravo lukethedrifter. <br /> <br /> have they removed holocaust literature out of school cirriculum or what?