I will stop
I will stop at nothing
Say the right things
When electioneering
I trust I can rely on your vote

When I go forwards, you go backwards
And somewhere we will meet
When I go forwards, you go backwards
And somewhere we will meet
Ha, ha, ha

Riot shields
Voodoo economics
It's life, it's life
It's just business
Cattle prods and the I.M.F.
I trust I can rely on your vote

When I go forwards, you go backwards
And somewhere we will meet
When I go forwards, you go backwards
And somewhere we will meet


Lyrics submitted by piesupreme

Electioneering Lyrics as written by Edward John O'brien Colin Charles Greenwood

Lyrics © Warner Chappell Music, Inc.

Lyrics powered by LyricFind

Electioneering song meanings
Add Your Thoughts

66 Comments

sort form View by:
  • +9
    General Comment

    "cattle prods and the IMF" comments on the Fund's monetary loans to third world countries. The IMF loans millions of dollars to small, underdeveloped states. This would be a nice, humanitarian gesture - if it wasn't for the ridiculous terms of the loans. That country now has no control over their economy, and the IMF ensures that the currency is weakned, that almost all trade is of very little benefit to the small 3rd world country. In essence, the poor 3rd world country is now poorer, and indebted to the IMF, who have given them no opportunities to improve their situation. The regulations concerning the loans are commonly referred to as "The Golden Straitjacket".

    The cattle prods, therefore, refer to the way in which poor countries are treated by large, multinational organisations. I think the "riot shields" are referring to the uprising of the people...

    The "I trust I can rely on your vote" bit seems to be in irony, for Thom doesn't trust in those leading his country.

    And, Jek21, 'electioneering' is the act of canvassing for votes...

    Correct me if I'm wrong, but is this Radiohead's first attempt at a political song?

    deenaon January 15, 2006   Link
  • +7
    General Comment

    I know no one's reading this, but here I go anyway:

    This song has some of the coolest lyrics ever: "When I go forwards/You go backwards/And somewhere we will meet." It's a play on words: as the politician "goes forwards" - gains more power - the people "go backwards" - lose control and power - and because the politician is relentlessly electioneering, he will meet each person somewhere along the way. This might be my favorite song on "OK Computer." Genius.

    cleverhandleon June 15, 2002   Link
  • +6
    General Comment

    I'm surprised no one has really picked up on the "i go forwards, you go backwards, and somewhere we will meet" line. I agree with most of you that the politician is going forwards, and the general public is goin backwards in many aspects. But the "somewhere we will meet" I think has to do with neo-conservative "trickle down" economics, also called "voodoo economics" (also mentioned the song). For those who don't know, "trickle down" economics are generally defined by large tax cuts for the rich and the overall "purging" of big government spending. The idea behind this, in the simplest terms, is that tax cuts for the upper brackets helps to stimulate the economy, which eventually "trickles down" to the lower classes through state-wide prosperity. These Supply-side economics were championed by the Reagan government during the 1980s, and duplicated by similar thinking governments around the world including Margaret Thatcher's Tories in the UK. Many opponents argue that the "trickle down" is never felt in the lower brackets and although the economy may recover and thrive, the majority of citizens see no real prosperity, and are instead faced with rising cost of living and lack of government-sponsored social programs due to the massive trimming of the bureaucracy. I believe the the "somewhere we will meet" line refers to the idea trumpeted by conservative politicians who promise voters that they will eventually meet each other in terms of prosperity, even though the whole idea of one person going forwards and the other going backwards and eventually meeting is far-fetched. This is the metaphor for Radiohead's opinion of "trickle-down" economics.

    IvoKenton May 14, 2007   Link
  • +2
    General Comment

    The whole idea of one thing going forwards while another goes backwards is also shown in johnnys guitar solo. It plays it once, then suddenly does it again backwards all the way back up...just an idea...

    Davetheinvincibleon November 18, 2004   Link
  • +2
    General Comment

    This song has sick cowbell.

    Willboeon October 22, 2009   Link
  • +1
    General Comment

    definitely my favorite song on ok computer. in my opinion one of the best political songs ever made, especially because it was written so artfully that it could be pulled off with NO swearing, i have no objection to swearing in songs and no love for censorship but so many "political" songs of late are nothing but strands of words that have to be edited out when they get played on the radio. one of the saddest things i ever heard was some kids practicing a RATM song for a school talent show, they were actually playing pretty well but when they got to the end the singer had to yell "SUCK you, i wont do what you tell me!" into the microphone, even those who dont know what the lyric is supposed to be should be able to figure out what its really supposed to be (change one letter in SUCK). i wanted to go up to them and ask with a big sarcastic smile: "did you tell them to go "fudge" themselves when the administrators told you that your song needed to be edited?"

    dnspiral9on July 23, 2002   Link
  • +1
    General Comment

    I think this song is about how politicians manipulate the public, almost indirectly "buying" their votes... Maybe.

    rx2kONEon August 13, 2002   Link
  • +1
    General Comment

    Sounds like his opinion is that special interests' influence on politics is a form of electioneering. Maybe he has a point.

    rynoxon November 26, 2004   Link
  • +1
    General Comment

    This song is a Master piece. this is my favorite part: I go Forward, you go backwards, i see it as people going forward to vote, and in the end the politician goes back on their promises.

    Hobo-Dragonon August 21, 2006   Link
  • +1
    Song Meaning

    The chorus in this line is brilliant, and ties in with the mention of voodoo economics. “I move forwards, you move backwards, and somewhere we will meet”. Sound familiar? “Trust me, give your money to the rich to propel them forwards into unprecedented amounts of wealth and power, you guys can fall behind into poverty and powerlessness, and..umm....uhh, yeah we’ll meet somewhere in the middle...ha ha!” As relevant today as ever. Anyone know what Thom says after "voodoo ecomonics", though? It sounds something like "I know" or "I don't" twice, but I can't make it out and it's never included in the lyrics when looking them up.

    Fat-Elvison October 05, 2011   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
Amazing
Ed Sheeran
Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.