"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
In the still water she lies down
Shaking in the press of sunlight
We rolled into Lexington
She shakes off the drop of daylight
Water beading up her chest
Bleeding down between her knees
Rivers in Kentucky flow
Between the bluegrass wavy seas
But oh, Margery
Twists the knife once more inside of me
Breathless with anticipation
Baited breathers set their hooks
Tuck their heads beneath the high grass
And lie and wait beside the brooks
For instance? pushing slowly through
Frustration leading back along
The alleys of a childhood
Will not release us willingly
But oh, Margery
Sticks the knife in while I coundn't the sea
Dust me off and shut me down
And dream of where I haven't been
Close the door inside my heart
Stuck in the south Atlantic wind
I have hollow eyes
Haunting only to myself
Even so, I can't stop calling
This great big hollows in my self
I took the train form California
To the far side of the continent
Woke up in Kentucky
Where a wedding was about to end
I looked up at Anna
She turned back to look at me
It's best to kill the ones that matter
Render blind the ones who see
But oh, Margery
Takes the blade and walks away from me
Oh, Margery
Love like blood is pouring out of me
Oh, Margery
My heart won't stop bleeding over me baby
Oh, I can't shut it in
It's got far too many doors to block the wind
Oh, I can't shut it in
It's got far too many doors to block the wind
Shaking in the press of sunlight
We rolled into Lexington
She shakes off the drop of daylight
Water beading up her chest
Bleeding down between her knees
Rivers in Kentucky flow
Between the bluegrass wavy seas
But oh, Margery
Twists the knife once more inside of me
Breathless with anticipation
Baited breathers set their hooks
Tuck their heads beneath the high grass
And lie and wait beside the brooks
For instance? pushing slowly through
Frustration leading back along
The alleys of a childhood
Will not release us willingly
But oh, Margery
Sticks the knife in while I coundn't the sea
Dust me off and shut me down
And dream of where I haven't been
Close the door inside my heart
Stuck in the south Atlantic wind
I have hollow eyes
Haunting only to myself
Even so, I can't stop calling
This great big hollows in my self
I took the train form California
To the far side of the continent
Woke up in Kentucky
Where a wedding was about to end
I looked up at Anna
She turned back to look at me
It's best to kill the ones that matter
Render blind the ones who see
But oh, Margery
Takes the blade and walks away from me
Oh, Margery
Love like blood is pouring out of me
Oh, Margery
My heart won't stop bleeding over me baby
Oh, I can't shut it in
It's got far too many doors to block the wind
Oh, I can't shut it in
It's got far too many doors to block the wind
Lyrics submitted by ang
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Fast Car
Tracy Chapman
Tracy Chapman
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Ebba Grön
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This is one of my favorite songs. https://fnfgo.io
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Maybe this song has a connection with "Another horsedreamers dream" because he talks about a Margery. Oh well, I'm just guessing:-p Love, Tessa
Another horsedreamers blues* sorry about that
Song about letting a girl from your past go
"she shakes off a drop of daylight"
and this song wasn't good enough!!!
CCs are the best. ever.
I think the name of the song is Margery Dreams of Horses, this song is amazing
I get this feeling that the song is about a childhood love... Margery. "The alleys of a childhood Will not release us willingly"
He still has feelings for her. Or always has. And I think he takes the train back to Kentucky where she lives and finds her about to get married or engaged or something and it's like she's rammed a knife through his heart.
Then I think the part about Anna is perhaps to do with a similar thing that happens with Anna. Though I think Anna was more about how she was cheating on her fiancé with him, so there was never much hope (my interpretation). I think he finds himself in love with these people and then, probably because he's always away on tour and such, they find somebody else who's more stable.
I think this song is kinda... self pitying in a way. Like "Oh, I never get the girl... boo hoo". But I still like it all the same.
Despite popular belief, this song does not connect to "Another Horsedreamer's Blues" It is actually a sequel to "Anna Begins."
In the 3 different versions I\'ve heard:\n- The studio version (from the flying demos) --> u can barley tell he says "Anna"\n- A live version (with length 4:33) (Rare tracks/covers) --> he says "Anna" really loud with a high inflection\n- The one on the deluxe version of AAEA (1994 Elysée...)--> less of an inflection and feels slower. \n\nNot sure if that means anything...
@BarelyOutOfTuesday **barely