Yo the Brooklyn Bridge is gonna collapse why'know?
Yo this Wyclef Jean and the ReFugee All-Stars up in here
Yo what's this I hear about the police in Brooklyn?
Turn this jam up, yo, yo
This the type of jam that be getting no airplay
I want the whole world to hear this joint right here, yo
This the type of jam that be getting no airplay
You asked for it buddy, here it comes

One two, watch out for the man in blue
Three four, I keep it raw and hardcore
Five six, you're beating us with nightsticks
Seven eight, I'm forced to pack a thirty-eight
Nine ten, you put me in a pen; if I could
Do it all again, I'd probably bust your chin

I'm from a land of black bats, alley rats and cats
Scratch up my car, set me up for the carjack
Under pressure, I gotta leave the gat
Two straps, a total of sixteen caps
Say something positive? No positivity
More positivity, more positivity brutality
Thugs get angry, the violence increase
You want peace, make Wyclef chief of police
Riding through the hood, it's the same ol story
It's either you play ball or you drug dealy dealy
Standin' on the block when the spot get hot
Guaranteed to get set up, by a crooked cop
So I'm sittin' back, rhymin' on instrumentals
Anything I touch, it turns monumental
Me and Jerry Wonder, we keep it credible
For the streets, at the same time, we gotta eat
When we commercialize it's to enterprise
We guarantee to sell a hundred mil before we die
But Jerry is broke, that's the situation
Nine-seven, it's like no more eviction
No more war milk, no more government cheese
Police keep on shootin' at our bulletproof Bentley

Yo this the type of jam that be getting no airplay
The Brooklyn Bridge about to collapse, apocalypse
This the type of jam that be getting no airplay
The ghettoes are fed up, we got the arms in the air

One two, watch out for the man in blue
Three four, I keep it raw and hardcore
Five six, you're beating us with nightsticks
Seven eight, I'm forced to pack a thirty-eight
Nine ten, you put me in a pen; if I could
Do it all again, I'd probably bust your chin

Yo bust this
Forty caliber, seventeen through your character
Waterworld's world, underwater, Sub Mariner
Derringer, twenty-two one in the challenger
Seven, four-eight, 23rd on the calendar
My word verses, burst raps you rap nervous
It's worthless, you get smashed up, on the surface
Projectile, my forty-four style, blood on silver
The red ripper, fill up the reservoir nigga
Armageddon, you smack dead on, a world crisis
The nicest, for sixteen bars, of preciseness

One two, watch out for the man in blue
Three four, I keep it raw and hardcore
Five six, you're sticking me with nightsticks
Seven eight, I'm forced to call Canibus
Nine ten, you put me in a pen; if I could
Do it all again, I'd probably bust your whole chin

You got a gat nigga, use it, go 'head pull it
Scientists got raw footage of me dodgin' bullets
I walk the streets with heat, three biscuits
Outnumberin' niggaz twin glocks with triplets
When I spit shit I lace it, you get punched in face with
Puncutations of five-knuckle phrases
I assure you the vocalist standin' before you
Will destroy you with temperatures hot enough to flame broil you
My tongue moves much faster than yours do
Every three thousand styles I change my voiceboxes oil
Embarrass you in front of your crew to annoy you
If you know some chicks that suck a good dick, then I'll employ you
To this hip-hop shit, Canibus stays loyal
That's why every Killuminati I battle somebody for you
I'm warnin' you, me versus you, I hurt you
My balance enables me to square dance in a circle
Your head'll spin so fast you'll catch whiplash
I practice lyrical witchcraft on your bitch ass
Make your hard drive crash to see colon backslash
Go back to the roots and reprogram your wack ass, nigga

One two, watch out for the man in blue
Three four, I keep it raw and hardcore
Five six, you're sticking us with nightsticks
Seven eight, I'm forced to pack a thirty-eight
Nine ten, you put me in a pen; if I could
Do it all again, I'd probably bust your whole chin
Where Brooklyn at? Where Brooklyn at? (right here, right here)
A-ight? New Jersey in the house

The people versus gestapo, what what
Yo, there'll be no sequel to this revolution
There will be no sequel to this revolution
The people versus gestapo
There'll be no sequel to this revolution, what what


Lyrics submitted by punkmebabygal

No Airplay Lyrics as written by Wyclef Jean

Lyrics © Sony/ATV Music Publishing LLC

Lyrics powered by LyricFind

No Airplay song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Techno Ted
Audioslave
Techno Ted may be a person who caused Chris incredible emotional pain & trepidation as well as moments of peace & happiness but now is removed and awaiting his fate. Darling may be a different person who is also free of him and can live her life free of Ted's tyranny. "In between all the laughing, and daydreams ... lies: a desert of truth" Lies are like a desert or the omission of Truth: Where there were Lies then Truth was absent. The song, "Techno Ted", may be a cathartic celebration of the downfall of this person.
Album art
Holiday
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday". I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Album art
Dreamwalker
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Album art
When We Were Young
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
Album art
No Surprises
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.