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Hollywood Waltz Lyrics

Springtime, and the acacias are blooming
Southern California will see one more day
Dreamland, and bus'ness is booming,
The birds are a singing as I drift away
She looks another year older,
From too many lovers who used her and ran
But some nights, oh, she looks like an angel
And she's always willing to hold you again

So give her this dance,
She can't be forsaken
Learn how to love her with all of her faults

She gave more than she's taken,
And I'll go down doing the Hollywood Waltz

Springtime and the lady is grieving
The lovers just stand there with nothing to say
They got what they wanted,
They're packing and leaving
To look for another to love the same way

So give her this dance,
She can't be forsaken
Learn how to love her
With all of her faults
She gave more than she's taken
And I'll go down doing the Hollywood Waltz
The Hollywood Waltz
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Cover art for Hollywood Waltz lyrics by Eagles

To me this is not about a woman per se but the LA/Hollywood scene. The people are symbols of how the place and Industry uses you up like a whore and then goes on to another.

Cover art for Hollywood Waltz lyrics by Eagles

This is what Don Henley said in one interview was intro to Hotel California.

Here he compares beatiful woman (and cheap one, though) with California (also beatiful but lacks morale).

To anyone who lived in southern California when this song was first heard the meaning would be instantly known. Don Henley may have given his spin on it but I believe a better source would be Bernie Leadon-the true composer. It isn't about a woman, it's about SoCal with all of it's faults, etc. etc.

Cover art for Hollywood Waltz lyrics by Eagles

Cluelessness abounds. The "she" of the song is Hollywood. The "Hollywood waltz" is sex.

Cover art for Hollywood Waltz lyrics by Eagles

The first verse of the song makes clear that the narrator is not talking about a woman but a place—Southern California, as named in the first line, for which “Hollywood” is a stand-in. The “lovers” are all those who exploited the place for profit, without reinvesting in its cultural, physical, economic, or aesthetic wellbeing. Principal among those are real estate developers, who Henley and Frey disparaged at length in “The Last Resort” on the Hotel California album the following year (1976):\n\n“Some rich men came and raped the land\nNobody caught \'em\nPut up a bunch of ugly boxes\nAnd Jesus people bought \'em.”\n\nHenley and Frey made clear the intent of both lyrics in the interviews that they gave and the benefits for which they played at the time. They had grown up in Texas and Michigan, respectively, and recognized L.A. as having the most narcissistic culture of any American city other than Las Vegas. \n\nThe other side of the lyric is “She gave much more than she’s taken.” There is more to L.A. that meets the eye. Beneath the tarnished glitter, there are real people doing real work that has contributed to the lives of humans all over the world.

Song Meaning
Cover art for Hollywood Waltz lyrics by Eagles

This great song is Henley’s (and Leadon’s) view of what happened to Southern California in the postwar (WW 2) era. It’s sorta the flip side of “The Last Resort”: the latter decried the spoilation of the land, but the former celebrated the love nevertheless due it from all who were there for the experience. Schadenfreude for the 1970s, but you just had to be there.

Song Meaning
Cover art for Hollywood Waltz lyrics by Eagles

Nobody has commented on this song, maily because is a relativly unknown song, but this is a great, and I mean great song, to me one of the most underrated. This song is about hope, about looking forward to life, and about a girl.

Cover art for Hollywood Waltz lyrics by Eagles

The Hollywood Waltz is a descriptive term that the Authors of the Song use to relay a "Theme" of a "shared-behavior" they probably all experienced during the time they lived in Southern California. The common place in time, experiences and (sometimes "fragile") emotional state they were all experiencing as young aspiring (often struggling) Musicians in Los Angeles (particularly Hollywood). Apparently, they had many friends, but not many close "female friends" or "lovers" (at least not many they could trust). The Lyrics bring you into both a time and place (or "mind-set" and "feeling") of a young man appreciating a moment of reflection in his life (during a beautiful time of year.....Springtime.....the Acacias are Blooming...) as he reflects on his (and others') "hollow relationship" with an older, more mature woman, who many they (and presumably others) have "shared" or "loved".....all a part of the Hollywood Scene in the 1970's. The Author(s) have "given-in" to "temptations of the flesh". In this song they very eloquently label this transgression "The Hollywood Waltz". Extremely Poetic, Beautifully Written and Forever a Spring-time Favorite.

@ruby hill2 I think of all 4 of these, you nailed it, although the person who semi-quoted Henley got it right. Henley grew up in the Bible Belt. In the oil patch in central Texas, there was an almost too rigid morality. And he got to LA and saw a close parallel between the beauty and shallowness of so many loose women and an entire part of CA that he found equally shallow, yet an unreal, beautiful place. Part of this was Henley's past, that help lead to this viewpoint, and part of it is that...

 
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