The song 'Fortnight' by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word 'fortnight' shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
Who needs lobotomy when we've got the ITV?
Who needs ECT when there's good old BBC?
Switch on the set, light up the screen,
Fantasise and dream about what you might have been,
Who needs controlling when they've got the cathode ray?
They've got your fucking soul, now they'll fuse your brains away.
Mindless fucking morons sit before the set,
Being fed the mindless rubbish they deserve to get.
Can't switch off big brother, they've lost all will to act,
Lost in drab confusion, was it fiction, was it fact?
Another plastic bullet stuns another Irish child,
But no-one's really bothered, no, the telly keeps them mild.
They've lost all sense of feeling to the every hungry glow,
Drained of any substance by the vicious telly blow.
No longer know what's real or ain't, slowly going blind,
They stare into the goggle box while the world goes by, behind.
The Angels are on T.V. tonight, grey puke fucking shit.
The army occupy Ireland, but the boot will never fit.
Was it Coronation Street? Or was it Londonderry?
Oh it doesn't fucking matter, Paul Daniels'll keep us merry.
Yes, I've heard of Bobby Sands, wasn't it Emmerdale Farm?
Yes, that's right, he was kicked by a cow, I hope it didn't do him no harm.
And wasn't the Holocaust terrible, good thing it wasn't for real.
Of course I've heard of H-Block, it's the baccy with man appeal.
Deeper and deeper and deeper, layer upon layer.
Illusion, confusion, is there anyone left who can care?
Yes, the Abbey National cares for you. Nat West, and Securicor.
Well brings out the Branston bren-guns let's spice it up some more.
The Sweeney are cruising Brixton, created another Belfast.
And J.R.'s advising Thatcher on lighting, make up and cast.
A thousand camera lenses point at the people's pain,
As millions of mindless morons watch the action replay again, the action replay again.
Softly, softly, into your life, you're held in it's brilliant glow.
Softly, softly, feeding itself on the you you'll never know.
You're life's reduced to nothing, but an empty media game.
Big Brother ain't watching you mate, you're fucking watching him.
Who needs ECT when there's good old BBC?
Switch on the set, light up the screen,
Fantasise and dream about what you might have been,
Who needs controlling when they've got the cathode ray?
They've got your fucking soul, now they'll fuse your brains away.
Mindless fucking morons sit before the set,
Being fed the mindless rubbish they deserve to get.
Can't switch off big brother, they've lost all will to act,
Lost in drab confusion, was it fiction, was it fact?
Another plastic bullet stuns another Irish child,
But no-one's really bothered, no, the telly keeps them mild.
They've lost all sense of feeling to the every hungry glow,
Drained of any substance by the vicious telly blow.
No longer know what's real or ain't, slowly going blind,
They stare into the goggle box while the world goes by, behind.
The Angels are on T.V. tonight, grey puke fucking shit.
The army occupy Ireland, but the boot will never fit.
Was it Coronation Street? Or was it Londonderry?
Oh it doesn't fucking matter, Paul Daniels'll keep us merry.
Yes, I've heard of Bobby Sands, wasn't it Emmerdale Farm?
Yes, that's right, he was kicked by a cow, I hope it didn't do him no harm.
And wasn't the Holocaust terrible, good thing it wasn't for real.
Of course I've heard of H-Block, it's the baccy with man appeal.
Deeper and deeper and deeper, layer upon layer.
Illusion, confusion, is there anyone left who can care?
Yes, the Abbey National cares for you. Nat West, and Securicor.
Well brings out the Branston bren-guns let's spice it up some more.
The Sweeney are cruising Brixton, created another Belfast.
And J.R.'s advising Thatcher on lighting, make up and cast.
A thousand camera lenses point at the people's pain,
As millions of mindless morons watch the action replay again, the action replay again.
Softly, softly, into your life, you're held in it's brilliant glow.
Softly, softly, feeding itself on the you you'll never know.
You're life's reduced to nothing, but an empty media game.
Big Brother ain't watching you mate, you're fucking watching him.
Lyrics submitted by getupgirl121
Nineteen Eighty Bore Lyrics as written by
Lyrics © ROUGH TRADE PUBLISHING
Lyrics powered by LyricFind
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Fortnight
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I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
one of the best crass songs