This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
they were digging a new foundation in manhattan
and they discovered a slave cemetery there
may their souls rest easy
now that lynching is frowned upon
and we've moved on to the electric chair
and i wonder who's gonna be president, tweedle dum or tweedle dummer?
and who's gonna have the big blockbuster box office this summer?
how about we put up a wall between houses and the highway
and you can go your way, and i can go my mine
except all the radios agree with all the tvs
and all the magazines agree with all the radios
and i keep hearing that same damn song everywhere i go
maybe i should put a bucket over my head
and a marshmallow in each ear
and stumble around for
another dumb-numb week for another hum drum hit song to appear
people used to make records
as in a record of an event
the event of people playing music in a room
now everything is cross-marketing
its about sunglasses and shoes
or guns and drugs
you choose
we got it rehashed
we got it half-assed
we're digging up all the graves
and we're spitting on the past
and you can choose between the colors
of the lipstick on the whores
cause we know the difference between
the font of 20% more
and the font of teriyaki
you tell me
how does it make you feel?
you tell me
what's real?
and they say that alcoholics are always alcoholics
even when they're as dry as my lips for years
even when they're stranded on a small desert island
with no place in 2,000 miles to buy beer
and i wonder
is he different?
is he different?
has he changed? what's he about?...
or is he just a liar with nothing to lie about?
am i headed for the same brick wall
is there anything i can do about
anything at all?
except go back to that corner in manhattan
and dig deeper, dig deeper this time
down beneath the impossible pain of our history
beneath unknown bones
beneath the bedrock of the mystery
beneath the sewage systems and the path train
beneath the cobblestones and the water mains
beneath the traffic of friendships and street deals
beneath the screeching of kamikaze cab wheels
beneath everything i can think of to think about
beneath it all, beneath all get out
beneath the good and the kind and the stupid and the cruel
there's a fire just waiting for fuel
there's a fire just waiting for fuel
and they discovered a slave cemetery there
may their souls rest easy
now that lynching is frowned upon
and we've moved on to the electric chair
and i wonder who's gonna be president, tweedle dum or tweedle dummer?
and who's gonna have the big blockbuster box office this summer?
how about we put up a wall between houses and the highway
and you can go your way, and i can go my mine
except all the radios agree with all the tvs
and all the magazines agree with all the radios
and i keep hearing that same damn song everywhere i go
maybe i should put a bucket over my head
and a marshmallow in each ear
and stumble around for
another dumb-numb week for another hum drum hit song to appear
people used to make records
as in a record of an event
the event of people playing music in a room
now everything is cross-marketing
its about sunglasses and shoes
or guns and drugs
you choose
we got it rehashed
we got it half-assed
we're digging up all the graves
and we're spitting on the past
and you can choose between the colors
of the lipstick on the whores
cause we know the difference between
the font of 20% more
and the font of teriyaki
you tell me
how does it make you feel?
you tell me
what's real?
and they say that alcoholics are always alcoholics
even when they're as dry as my lips for years
even when they're stranded on a small desert island
with no place in 2,000 miles to buy beer
and i wonder
is he different?
is he different?
has he changed? what's he about?...
or is he just a liar with nothing to lie about?
am i headed for the same brick wall
is there anything i can do about
anything at all?
except go back to that corner in manhattan
and dig deeper, dig deeper this time
down beneath the impossible pain of our history
beneath unknown bones
beneath the bedrock of the mystery
beneath the sewage systems and the path train
beneath the cobblestones and the water mains
beneath the traffic of friendships and street deals
beneath the screeching of kamikaze cab wheels
beneath everything i can think of to think about
beneath it all, beneath all get out
beneath the good and the kind and the stupid and the cruel
there's a fire just waiting for fuel
there's a fire just waiting for fuel
Lyrics submitted by aur0ra
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I like this song, but the part where she goes 'and i keep hearing that same damn song everywhere i go' and grunts and laughs...I dunno, it really annoys me...:/
I think that part annoys alot of people! but then sometimes her voice can sound so beautiful and sweet.