Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve.
The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future.
Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Yeah, yeah, yeah, yeah
Give it to me now, give it to me now
Give it to me now, give it to me now
Yeah, yeah, yeah, yeah
Give it to me now, give it to me now
Give it to me now
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy? (Uh, uh)
I wanna get you in the Georgia Dome on the fifty-yard line
While the Dirty Birds kick for t'ree
And if you like in the club, we can do it in the DJ booth
Or in the back of the V.I.P.
Whipped cream with cherries and strawberries on top, lick it don't stop
Keep the door locked, don't knock while the boat rock
We go-bots and robots, so they got to wait 'til the show stop
Or how about on the beach with black sand?
Lick up your thigh then call me the Pac Man
Table top or just give me a lap dance
The Rock to the Park to the Point to the Flatlands
That man named Ludacris (woo), in the public bathroom
Or in back of the classroom
How ever you want it, lover-lover gon' tap that ass soon
See I cast 'em and I passed 'em
Get a tight grip and I grasp 'em
I flash 'em and outlast 'em
And if it ain't good then I trash 'em
While you stash 'em, I'll let 'em free
And they tell me what's they fantasy
Like up on the roof, roof
Tell your boyfriend not to be mad at me
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
Uh, I wanna get you in the bath tub
With the candles lit, you give it up 'til they go out
Or we can do it on stage at the Ludacris concert
'Cause you know it got sold out
A red carpet dick, it just roll out
Gon' 'head and scream, you can't hold out
We can do it in the pouring rain
Running the train, when it's hot or when it's cold out
How about up in the library on top of books?
But you can't be too loud
You wanna make a brother beg for it
Give me TLC 'cause you know I be too proud
We can do it in the White House
Try to make them turn the lights out
Champagne with my campaign
Let me do the damn thing
What's my name? What's my name? What's my name? (Ah)
The sauna, jacuzzi, in the back row at the movie
You can scratch my back and rule me
You can push me and just pull me
On hay in the middle of the barn (woo)
Or rose petals on the silk sheets (uh)
Eating fresh fruit, sweep your woman right off her feet
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy? (Ah, ah)
I wanna get you in the back seat, windows up
That's the way you like to fuck
Clogged up, fog alert
Rip the pants and rip the shirt
Rough sex, make it hurt
In the garden, all in the dirt
Roll around Georgia Brown
That's the way that I like it twerked
Legs jerk, overworked
Underpaid, but don't be afraid
In the sun or up in the shade
On the top of my Escalade
Maybe your girl and my friend can trade
Tag team, off the rope
On the ocean or in the boat
Factories are on hundred spokes
What about up in the candy store?
That chocolate, chocolate make it melt
Whips and chains, handcuffs
Smack a little booty up with my belt
Scream, "Help," play my game
Dracula, man, I'll get my fangs
Horseback and I'll get my reins
School teacher, let me get my brains
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
Give it to me now, give it to me now
Give it to me now, give it to me now
Yeah, yeah, yeah, yeah
Give it to me now, give it to me now
Give it to me now
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy? (Uh, uh)
I wanna get you in the Georgia Dome on the fifty-yard line
While the Dirty Birds kick for t'ree
And if you like in the club, we can do it in the DJ booth
Or in the back of the V.I.P.
Whipped cream with cherries and strawberries on top, lick it don't stop
Keep the door locked, don't knock while the boat rock
We go-bots and robots, so they got to wait 'til the show stop
Or how about on the beach with black sand?
Lick up your thigh then call me the Pac Man
Table top or just give me a lap dance
The Rock to the Park to the Point to the Flatlands
That man named Ludacris (woo), in the public bathroom
Or in back of the classroom
How ever you want it, lover-lover gon' tap that ass soon
See I cast 'em and I passed 'em
Get a tight grip and I grasp 'em
I flash 'em and outlast 'em
And if it ain't good then I trash 'em
While you stash 'em, I'll let 'em free
And they tell me what's they fantasy
Like up on the roof, roof
Tell your boyfriend not to be mad at me
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
Uh, I wanna get you in the bath tub
With the candles lit, you give it up 'til they go out
Or we can do it on stage at the Ludacris concert
'Cause you know it got sold out
A red carpet dick, it just roll out
Gon' 'head and scream, you can't hold out
We can do it in the pouring rain
Running the train, when it's hot or when it's cold out
How about up in the library on top of books?
But you can't be too loud
You wanna make a brother beg for it
Give me TLC 'cause you know I be too proud
We can do it in the White House
Try to make them turn the lights out
Champagne with my campaign
Let me do the damn thing
What's my name? What's my name? What's my name? (Ah)
The sauna, jacuzzi, in the back row at the movie
You can scratch my back and rule me
You can push me and just pull me
On hay in the middle of the barn (woo)
Or rose petals on the silk sheets (uh)
Eating fresh fruit, sweep your woman right off her feet
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy? (Ah, ah)
I wanna get you in the back seat, windows up
That's the way you like to fuck
Clogged up, fog alert
Rip the pants and rip the shirt
Rough sex, make it hurt
In the garden, all in the dirt
Roll around Georgia Brown
That's the way that I like it twerked
Legs jerk, overworked
Underpaid, but don't be afraid
In the sun or up in the shade
On the top of my Escalade
Maybe your girl and my friend can trade
Tag team, off the rope
On the ocean or in the boat
Factories are on hundred spokes
What about up in the candy store?
That chocolate, chocolate make it melt
Whips and chains, handcuffs
Smack a little booty up with my belt
Scream, "Help," play my game
Dracula, man, I'll get my fangs
Horseback and I'll get my reins
School teacher, let me get my brains
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
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Jane's Addiction
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
This song brings back AWESOME memories of me and the guy that I liked talking on the phone late at night, and me breaking out in song and singing this song.. and of course... he joined in too!