The song "Fortnight" by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word "fortnight" shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
Mind is blown but her body’s still in shock
Can’t see nothing as she’s staring at the kitchen clock
Feel so bland in the eye of the storm; it’s a bedroom day
We should switch, we should pass ourselves around
Meet me at the corner; tear your dream-home down
It’s a goddamn shit-show out here now
Something to tell you about, someone told me about
I know I’m weak and this weekend you’ll find out
Yes, I sleep at the fucking whore’s house now
In a cinematic, cinematic fades to black
Every day is a rodeo, man
No one’s gonna change, nobody ever does
No one’s gonna change, no one’s changing for you
No one’s gonna change, nobody ever does
And I’m never gonna do what you want me to
Sittin’ there speaking Greek to a college blog
Every sentence is the same, it’s just talk, talk, talk
I am one, I admit it, of a million who has it out for these soapbox idiots
Click-clack of your high heels - you’re awake
Downstairs on a tic-tac stripper’s break
Every dancer’s trying to sync to the beat
Every motherfucker in this place tells me the same shit
This whole world’s gotta buy you a drink, man
Gotta take you to the edge and watch you throw it up
Every morning I could give a damn what you did last night
Just tell me how far to kick this can
No one’s gonna change, no one ever does
No one’s gonna change, no one is changing for you
No one’s gonna change, nobody ever does
And I’m never gonna do what you want me to
But I don’t wanna feel so jaded
Getting on a plane to work things out
When I’m alone, you're all I think about
But I’m never alone very long
They say you gotta love yourself first, that’s a trip
I’ve been hating myself since I was a little kid
I know it’s sad that game’s rained out, and the bleachers emptied out
And the turnstiles spin
All the good ones in the world, they’ve been dropping dead
Everybody's got a bullet flying at their head
I seen it coming, man
I seen it coming, man
I seen it coming, no
No one ever changes, hey, that’s the truth
No one’s gonna change, no, baby, not for you!
No one ever changes, and that’s the truth
And I’m never gonna do what you want me to
Can’t see nothing as she’s staring at the kitchen clock
Feel so bland in the eye of the storm; it’s a bedroom day
We should switch, we should pass ourselves around
Meet me at the corner; tear your dream-home down
It’s a goddamn shit-show out here now
Something to tell you about, someone told me about
I know I’m weak and this weekend you’ll find out
Yes, I sleep at the fucking whore’s house now
In a cinematic, cinematic fades to black
Every day is a rodeo, man
No one’s gonna change, nobody ever does
No one’s gonna change, no one’s changing for you
No one’s gonna change, nobody ever does
And I’m never gonna do what you want me to
Sittin’ there speaking Greek to a college blog
Every sentence is the same, it’s just talk, talk, talk
I am one, I admit it, of a million who has it out for these soapbox idiots
Click-clack of your high heels - you’re awake
Downstairs on a tic-tac stripper’s break
Every dancer’s trying to sync to the beat
Every motherfucker in this place tells me the same shit
This whole world’s gotta buy you a drink, man
Gotta take you to the edge and watch you throw it up
Every morning I could give a damn what you did last night
Just tell me how far to kick this can
No one’s gonna change, no one ever does
No one’s gonna change, no one is changing for you
No one’s gonna change, nobody ever does
And I’m never gonna do what you want me to
But I don’t wanna feel so jaded
Getting on a plane to work things out
When I’m alone, you're all I think about
But I’m never alone very long
They say you gotta love yourself first, that’s a trip
I’ve been hating myself since I was a little kid
I know it’s sad that game’s rained out, and the bleachers emptied out
And the turnstiles spin
All the good ones in the world, they’ve been dropping dead
Everybody's got a bullet flying at their head
I seen it coming, man
I seen it coming, man
I seen it coming, no
No one ever changes, hey, that’s the truth
No one’s gonna change, no, baby, not for you!
No one ever changes, and that’s the truth
And I’m never gonna do what you want me to
Lyrics submitted by Genja007
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Fortnight
Taylor Swift
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Holiday
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@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Mountain Song
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
@MaxConorBemisOberst420
rab1989 the last 6 comments including this one as #6 are for you :)