"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
He didn't give you that nickname
But you smile when he calls you the Enola Gay
Turns the lights down low for your migraines
And fetches what you've strewn
All around the room up and down the hall
Asking for your Sodium Pentathol
So you can read aloud from your big tell-all
Anecdotes in platitudes
This world's mean getting meaner too
So why'd you have to make it all about you
There's no harm in stepping to the side
Light your hurricane lamp when the sky grows dark
The wind's pissed off and the sun's at large
What you've gotta do, it's just a matter of pride
Until you vanish like the rest, out of sight and out of mind
Working all day in the control room
Mashing Charles Manson songs up with Showtunes
The feelings come quick but they leave as soon
Like music from a passing car
It's crowded in the club where you meet your friends
Try to save some room for the elephant
Every day's a chore and you're not done yet
You didn't think it'd be this hard
The root's begun, we're a nervous crew
So why're you trying to make it all about you
It's not so bad, it's just a flash of light
Light your hurricane lamp when the sky goes dark
The rain's upset, it just falls apart
You will get your wish, it's just a matter of time
Until you vanish like the rest, out of sight and out of mind
Until you vanish like the rest, out of sight
But you smile when he calls you the Enola Gay
Turns the lights down low for your migraines
And fetches what you've strewn
All around the room up and down the hall
Asking for your Sodium Pentathol
So you can read aloud from your big tell-all
Anecdotes in platitudes
This world's mean getting meaner too
So why'd you have to make it all about you
There's no harm in stepping to the side
Light your hurricane lamp when the sky grows dark
The wind's pissed off and the sun's at large
What you've gotta do, it's just a matter of pride
Until you vanish like the rest, out of sight and out of mind
Working all day in the control room
Mashing Charles Manson songs up with Showtunes
The feelings come quick but they leave as soon
Like music from a passing car
It's crowded in the club where you meet your friends
Try to save some room for the elephant
Every day's a chore and you're not done yet
You didn't think it'd be this hard
The root's begun, we're a nervous crew
So why're you trying to make it all about you
It's not so bad, it's just a flash of light
Light your hurricane lamp when the sky goes dark
The rain's upset, it just falls apart
You will get your wish, it's just a matter of time
Until you vanish like the rest, out of sight and out of mind
Until you vanish like the rest, out of sight
Lyrics submitted by splitintwo, edited by SpaceCadet359
Enola Gay Lyrics as written by Conor M. Oberst
Lyrics © Kobalt Music Publishing Ltd.
Lyrics powered by LyricFind
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Mountain Song
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Page
Ed Sheeran
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There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
^^^^^^^^^^^^^ I know you're trying to relate the whole song to hiroshima but i honestly think it's about dementia and when you vanish out of sight... then it cuts off it's like you have no mind left. the hurricane lamp finding their way in the windy night etc..
It seems like conor may have a close friend who is hung up on their dementia-ridden relative who is 'all about them' talking about the past/war etc.
It seems this friend may also be close to conor in the fact that he/she is in a control room (studio) and may have an interest in mashing showtunes with old charles manson tracks... or maybe this is metaphoric in saying that he/she is trying to shine a positive light (showtunes) on a negative old violent person (charles manson).
Hopefully someone can shine some light on whether or not Conor has a friend who this could be about???
It could be about the distance from which a songwriter communicates with a person or an audience. Enola Gay was the name of the plane that dropped the atomic bomb on Hiroshima, and the song seems to be about someone making music, so it could be about how someone can have a huge impact on someone or something without actually being present to talk to them. And also, I think its just about keeping your ego in check, especially when it comes to being in a collaborative effort, like a band. And damn.. Nate Walcott on the Piano in the chorus, he didn't do much on the album, but that's such a great hook! Great Song, Great Album