"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
I'm trying to leave my ocean home
I'm trying to leave my ocean... though
I don't know nothing of the swamp
and I could be a limbless star
pushing at the sac.. all ready
to delight the lucid shoal
and you don't look impressed
I could be the dolphin of your dreams
willing wings to my chest
one day I'll grow up I'll show you
harpoons and monsoons
won't keep me at bay
there's so much here to happen
my limbs, now my fins
now I'm film on my lips
And why you never call back?
I'm older, I'm colder,
I'm not coming good
a cherub in the ashtray
wriggling back to the source
and thrashing up the waterfalls for what?
somewhere there's a place
and I can be the whale that takes you all
but maybe I'm a lioness
and when I reach the shore
I'll tear apart hyenas with no thought
now organs in a glassy globe
and cloudy with potential
muscle mass and vertebrae begin
trying to figure my place
and feverish with all my dreams awake
And they don't notice me now
But I could be the whale that takes them all
alllllllllll...
try this and try this
and try this again
I'm never gonna learn
delete me, repeat me
let's try this again
a tiny little fish egg is homeless
and boneless and drifting along
just jelly in the blackness
inching up to the pole
only to be lost among the white
somewhere there is a place
and I could be a pterodactyl god
I'm trying to leave my ocean home
I'm trying to leave my ocean... though
I don't know nothing of the swamp
and I could be a limbless star
pushing at the sac.. all ready
to delight the lucid shoal
and you don't look impressed
I could be the dolphin of your dreams
willing wings to my chest
one day I'll grow up I'll show you
harpoons and monsoons
won't keep me at bay
there's so much here to happen
my limbs, now my fins
now I'm film on my lips
And why you never call back?
I'm older, I'm colder,
I'm not coming good
a cherub in the ashtray
wriggling back to the source
and thrashing up the waterfalls for what?
somewhere there's a place
and I can be the whale that takes you all
but maybe I'm a lioness
and when I reach the shore
I'll tear apart hyenas with no thought
now organs in a glassy globe
and cloudy with potential
muscle mass and vertebrae begin
trying to figure my place
and feverish with all my dreams awake
And they don't notice me now
But I could be the whale that takes them all
alllllllllll...
try this and try this
and try this again
I'm never gonna learn
delete me, repeat me
let's try this again
a tiny little fish egg is homeless
and boneless and drifting along
just jelly in the blackness
inching up to the pole
only to be lost among the white
somewhere there is a place
and I could be a pterodactyl god
I'm trying to leave my ocean home
Lyrics submitted by temp1444
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Fast Car
Tracy Chapman
Tracy Chapman
The Night We Met
Lord Huron
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
When We Were Young
Blink-182
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
I think this is the only song that describes the nothing feeling in such a beautiful metaphorical way