Techno Ted may be a person who caused Chris incredible emotional pain & trepidation as well as moments of peace & happiness but now is removed and awaiting his fate. Darling may be a different person who is also free of him and can live her life free of Ted's tyranny. "In between all the laughing, and daydreams ... lies: a desert of truth" Lies are like a desert or the omission of Truth: Where there were Lies then Truth was absent. The song, "Techno Ted", may be a cathartic celebration of the downfall of this person.
Put your lips close to mine
As long as they don't touch
Out of focus, eye to eye
'Til the gravity's too much
And I'll do anything you say
If you say it with your hands
And I'd be smart to walk away
But you're quicksand
This slope is treacherous
This path is reckless
This slope is treacherous
And I, I, I like it
I can't decide if it's a choice
Getting swept away
I hear the sound of my own voice
Asking you to stay
And all we are is skin and bone
Trained to get along
Forever going with the flow
But you're friction
This slope is treacherous
This path is reckless
This slope is treacherous
I, I, I like it
Two headlights shine through the sleepless night
And I will get you, and get you alone
Your name has echoed through my mind
And I just think you should, think you should know
That nothing safe is worth the drive
And I would follow you, follow you home
I'll follow you, follow you home
This hope is treacherous
This daydream is dangerous
This hope is treacherous
I, I, I
I, I, I
I, I, I
Two headlights shine through the sleepless night
And I will get you, and get you alone
Your name has echoed through my mind
And I just think you should, think you should know
That nothing safe is worth the drive
And I will follow you, follow you home
I'll follow you, follow you home
I'll follow you, follow you home
I'll follow you, follow you home
This slope is treacherous
I, I, I like it
As long as they don't touch
Out of focus, eye to eye
'Til the gravity's too much
And I'll do anything you say
If you say it with your hands
And I'd be smart to walk away
But you're quicksand
This slope is treacherous
This path is reckless
This slope is treacherous
And I, I, I like it
I can't decide if it's a choice
Getting swept away
I hear the sound of my own voice
Asking you to stay
And all we are is skin and bone
Trained to get along
Forever going with the flow
But you're friction
This slope is treacherous
This path is reckless
This slope is treacherous
I, I, I like it
Two headlights shine through the sleepless night
And I will get you, and get you alone
Your name has echoed through my mind
And I just think you should, think you should know
That nothing safe is worth the drive
And I would follow you, follow you home
I'll follow you, follow you home
This hope is treacherous
This daydream is dangerous
This hope is treacherous
I, I, I
I, I, I
I, I, I
Two headlights shine through the sleepless night
And I will get you, and get you alone
Your name has echoed through my mind
And I just think you should, think you should know
That nothing safe is worth the drive
And I will follow you, follow you home
I'll follow you, follow you home
I'll follow you, follow you home
I'll follow you, follow you home
This slope is treacherous
I, I, I like it
Lyrics submitted by SongMeanings, edited by thrwmyhrtawy., lyla33
Treacherous Lyrics as written by Daniel Dodd Wilson Taylor Alison Swift
Lyrics © BMG Rights Management, Universal Music Publishing Group
Lyrics powered by LyricFind
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Techno Ted
Audioslave
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Fortnight
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The song 'Fortnight' by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word 'fortnight' shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
The Night We Met
Lord Huron
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
I think this song is about loving someone who you know is bad for you in the long run, but you can't get over them. The guy might be a "bad boy", whereas Taylor is a "good girl", so she feels like it's wrong to be liking him but she likes the rush this relationship brings. It feels different than lying a "good guy", and she really likes the relationship. the line "nothing safe is worth the drive" kind of confuses me, but she says she will follow him home - I think this means that she will keep loving him, she won't leave, and I think the drive refers to the relationship or experience they are both getting with each other... she is saying nothing good is worth losing her relationship with this guy. Unlike most of Swift's songs, this one isn't as straightforward, so it was hard to decipher the meaning. Sorry if this was confusing...