This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
I can't handle my drugs,
So blame Sha and his hand for the buds,
Before these vocals I was tee total till the AK,
Now I'm back and I'm buzzed
Get funky, light one up
Get skunky, so toast to, me!
Toast to green,
About to take hold and take over the scene.
Or maybe that should be ether it?
Either way I ain't an idiot.
I did quit smoking weed, but didn't stop me eating it!
P's raw, and I been poor,
So I could never get enough p I need more.
See-saw there's 5 Saturdays,
And I wont be happy till I've at least hit 4
It's a long day when your rolling and rocking,
And the spin isn't stopping
When you don't care where you are
It's the wrong day
If your looking for sober
You can find him hung over for the kids who love to dance.
The professor of rhymes,
Mr Dexter met Lecter and had one hell of a time
A devil disguised, lies!
You can tell that I'm high by my festival eyes.
Festival eyes? Ain't it a Monday?
Fuck knows! may as well be a Sunday.
Run away when I take off 6 val's
Whoops, straight lose six hours.
I'm back in effect,
Got shanked in my neck now I'm back from the dead.
But adjusting has been hard,
Like I give a shit man chicks dig scars.
Chicks dig me so I dig 'em out,
But I keep 'em all, never let them out.
Got sixteen in my cellar now,
Yeah I still take bus but I get about.
It's a long day when your rolling and rocking,
And the spin isn't stopping
When you don't care where you are
It's the wrong day
If your looking for sober
You can find him hung over for the kids who love to dance.
Love to dance
Love to dance
We're the kids that love to dance.
The bad boy's back boy,
On the road with my ipood on singing along to black boys.
Then skipping along to take that,
So take that say what?
I hate rap!
Haha... ain't that funny?
Shitting on rappers like I ate that curry.
So? so mind your business.
Or wind up with stitches, bitches!
Dickless with your wanna-be bars,
Important rappers - all wanna be hard.
Diss me? you must wanna get parred!
Faux-par your so 'barge.
Ain't seen a rapper like me yet so far!
Nah, I'm gonna take getting used to,
The pupil nobody could get through to,
On Youtube, in a tutu.
It's a long day when your rolling and rocking,
And the spin isn't stopping
When you don't care where you are
It's the wrong day
If your looking for sober
You can find him hung over for the kids who love to dance.
Love to dance
Love to dance
We're the kids that love to dance.
So blame Sha and his hand for the buds,
Before these vocals I was tee total till the AK,
Now I'm back and I'm buzzed
Get funky, light one up
Get skunky, so toast to, me!
Toast to green,
About to take hold and take over the scene.
Or maybe that should be ether it?
Either way I ain't an idiot.
I did quit smoking weed, but didn't stop me eating it!
P's raw, and I been poor,
So I could never get enough p I need more.
See-saw there's 5 Saturdays,
And I wont be happy till I've at least hit 4
It's a long day when your rolling and rocking,
And the spin isn't stopping
When you don't care where you are
It's the wrong day
If your looking for sober
You can find him hung over for the kids who love to dance.
The professor of rhymes,
Mr Dexter met Lecter and had one hell of a time
A devil disguised, lies!
You can tell that I'm high by my festival eyes.
Festival eyes? Ain't it a Monday?
Fuck knows! may as well be a Sunday.
Run away when I take off 6 val's
Whoops, straight lose six hours.
I'm back in effect,
Got shanked in my neck now I'm back from the dead.
But adjusting has been hard,
Like I give a shit man chicks dig scars.
Chicks dig me so I dig 'em out,
But I keep 'em all, never let them out.
Got sixteen in my cellar now,
Yeah I still take bus but I get about.
It's a long day when your rolling and rocking,
And the spin isn't stopping
When you don't care where you are
It's the wrong day
If your looking for sober
You can find him hung over for the kids who love to dance.
Love to dance
Love to dance
We're the kids that love to dance.
The bad boy's back boy,
On the road with my ipood on singing along to black boys.
Then skipping along to take that,
So take that say what?
I hate rap!
Haha... ain't that funny?
Shitting on rappers like I ate that curry.
So? so mind your business.
Or wind up with stitches, bitches!
Dickless with your wanna-be bars,
Important rappers - all wanna be hard.
Diss me? you must wanna get parred!
Faux-par your so 'barge.
Ain't seen a rapper like me yet so far!
Nah, I'm gonna take getting used to,
The pupil nobody could get through to,
On Youtube, in a tutu.
It's a long day when your rolling and rocking,
And the spin isn't stopping
When you don't care where you are
It's the wrong day
If your looking for sober
You can find him hung over for the kids who love to dance.
Love to dance
Love to dance
We're the kids that love to dance.
Lyrics submitted by SongMeanings
Kids That Love To Dance Lyrics as written by Emeli Sande Adele Sande
Lyrics © Sony/ATV Music Publishing LLC, Bucks Music Group
Lyrics powered by LyricFind
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
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This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
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Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Just A Little Lovin'
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Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/