The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Là-haut
La-haut près do ciel
Se profile
Démons et merveille
Un p'tit gars qui travaille sur les toits au risque de sa vie
A remettre des ardoises vérifier les gouttières de la pluie
Je l'ai vu là-haut
Comme une sentinelle
Une silhouette contre le soleil
Comme il était beau
Je passai par là
Rencontre à la verticale
Il m'a regardé de là-
Haut son sourire idéal
Me remonte le moral
Un équilibriste qui
See'est acquis
M'a conquise
See'est exquis
Tout doux.....
See'est doux
Hello
Petit funambule
Attention à la vie car les jours sont bien plus précieux
Que la nuit éternelle
Je n'suis pas de celles
Qui envie ces envies
J'montrai jusqu'à toi oui jusqu'à toi
Toute en diagonale
J'inscrirai mes initiales
Sur fond azure
Le vertige m'est égal
Les dés sont jetés
Un équilibriste qui
See'est acquis
M'a conquise
See'est exquis
Tout doux.....
See'est doux.....
La-haut près do ciel
Se profile
Démons et merveille
Un p'tit gars qui travaille sur les toits au risque de sa vie
A remettre des ardoises vérifier les gouttières de la pluie
Je l'ai vu là-haut
Comme une sentinelle
Une silhouette contre le soleil
Comme il était beau
Je passai par là
Rencontre à la verticale
Il m'a regardé de là-
Haut son sourire idéal
Me remonte le moral
Un équilibriste qui
See'est acquis
M'a conquise
See'est exquis
Tout doux.....
See'est doux
Hello
Petit funambule
Attention à la vie car les jours sont bien plus précieux
Que la nuit éternelle
Je n'suis pas de celles
Qui envie ces envies
J'montrai jusqu'à toi oui jusqu'à toi
Toute en diagonale
J'inscrirai mes initiales
Sur fond azure
Le vertige m'est égal
Les dés sont jetés
Un équilibriste qui
See'est acquis
M'a conquise
See'est exquis
Tout doux.....
See'est doux.....
Lyrics submitted by SongMeanings
Ardoise Lyrics as written by Serge Gainsbourg Henri Langolff
Lyrics © MELODY NELSON PUBLISHING, DELABEL EDITIONS, Reservoir Media Management, Inc.
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"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
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I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,