don't you cherish me to sleep
never keep your eyelids clipped
hold me for the pops and clicks
i was only for the father's crib
hair, old, long along
your neck onto your shoulder blades
always keep that message taped
cross your breasts you won't erase
i was only for your very space
hip, under nothing
propped up by your other one, face 'way from the sun
just have to keep a dialogue
teach our bodies: haunt the cause
i was only trying to spell a loss
joy, it's all founded
pincher with the skin inside
you pinned me with your black sphere eyes
you know that all the rope's untied
i was only for to die beside
so it’s storming on the lake
little waves our bodies break
there's a fire going out,
but there's really nothing to the south
swollen orange and light let through
your one piece swimmer stuck to you
sold, i'm ever
open ears and open eyes
wake up to your starboard bride
who goes in and then stays inside
oh the demons come, they can subside
never keep your eyelids clipped
hold me for the pops and clicks
i was only for the father's crib
your neck onto your shoulder blades
always keep that message taped
cross your breasts you won't erase
i was only for your very space
propped up by your other one, face 'way from the sun
just have to keep a dialogue
teach our bodies: haunt the cause
i was only trying to spell a loss
pincher with the skin inside
you pinned me with your black sphere eyes
you know that all the rope's untied
i was only for to die beside
little waves our bodies break
but there's really nothing to the south
your one piece swimmer stuck to you
open ears and open eyes
wake up to your starboard bride
who goes in and then stays inside
oh the demons come, they can subside
Song Info
Copyright
Lyrics © Songtrust Ave, Kobalt Music Publishing Ltd.
Writer
Justin Deyarmond Edison Vernon, Matthew Boutwell Mccaughan
Duration
4:10
Producer
Justin Vernon
Release date
Jun 06, 2011
Sentiment
Positive
Submitted by
thuglifeforevs On May 16, 2011
Add your song meanings, interpretations, facts, memories & more to the community.
Just heard an interview with Justin where he says something along these lines (and this is something of a paraphrase):
"When I wrote this song, I'd never been to Calgary - still haven't been - and I had a few really close friends that I'd met throughout the years from Calgary, and it always seemed like a place that I felt connected to. This song sort of became about an envisionment, a place, about when you think there's somebody out there that you could be in love with but you haven't met them yet. And it sort of became a metaphor for places you haven't been but that you feel like you know, and you can sort of have that feeling about somebody you haven't met that you feel like you're supposed to be with."
And in an interview with NPR, he says this while talking about Beth/Rest:
"Calgary sort of introduces that idea... eventually, you start waking up to the fact that you might be ready to spend your life with somebody and still feel good about who you are and what kind of changes you're going to go through no matter what."
So, hope that says something.
That makes more sense considering the music video.
That makes more sense considering the music video.
I agree with thuglifeforevs interpretation, but for some reason it doesn't strike me as sad. It sounds content. Like, maybe they weren't in love at first, they only stayed together for the family, but as time wore on they became attached to each other. Now they've grown old and face death together, but with no fear.
There's a lot of allusions to aging here:
"hold me for the pops and clicks." Weary joints, you know, arthritis.
"hair, old, long along your neck onto your shoulder blades." Self-explanatory.
"hip, under nothing propped up by your other one, face 'way from the sun."
Bad hips people! Come on, haven't you ever heard someone complain about their hips? Their bones are becoming brittle, "under nothing" and "propped up." The line "face 'way from the sun," kind of sounds like they're in the last stages of their life. The sun is setting.
"just have to keep a dialogue teach our bodies: haunt the cause i was only trying to spell a loss."
Some couples lose the romance or become bored as they grow old together. They "have to keep a dialogue" to survive the paces of marriage. "Teach our bodies: haunt the cause" could mean they're trying to remember what drew them to each other in the first place, what "caused" the attraction. Try to rekindle the spark. "I was only trying to spell a loss," could mean one of them is afraid of the relationship disintegrating, or one of their deaths, and that's why they're bringing up all these worries.
"joy, it's all founded pincher with the skin inside you pinned me with your black sphere eyes you know that all the rope's untied i was only for to die beside."
They realize they are "in this together," in love or not. They depend on each other, make each other happy. I think "you know that all the rope's untied" is like saying, "in the end, no matter what." Aww <3
"so it’s storming on the lake little waves our bodies break."
The end is near! DUN DUN DUN. ahem sorry.
"there's a fire going out, but there's really nothing to the south."
The life in them is waning. "There's really nothing to the south" might mean there's no hell below them, that in the end nothing matters except for the present.
"swollen orange and light let through your one piece swimmer stuck to you."
The "light." You know, like in movies people always "see the light" when they die? I think the line about the one piece swimmer is a memory flying by. They're remembering their past, their youth. Their life is flashing before their eyes.
"sold, i'm ever."
He's eternally hers.
"open ears and open eyes wake up to your starboard bride."
They're on "the other side." Where? Who knows. But he's woken up on a different plane of existence, still beside her.
"who goes in and then stays inside oh the demons come, they can subside."
His "starboard bride," the one who traveled with him all his life and is still with him in death, makes everything better. No matter what problems arise, no matter what "demons" come, they'll never be strong enough to put out the joy in his heart when she's in it.
So basically, the best love song ever.
god , i hope your correct because if you are then i totally agree that its the best love song ever.
god , i hope your correct because if you are then i totally agree that its the best love song ever.
Aw, thank you :) Even if it's not what Justin Vernon was thinking off when he wrote it, I'll always hear it this way.
Aw, thank you :) Even if it's not what Justin Vernon was thinking off when he wrote it, I'll always hear it this way.
Reading your take literally made me cry. So perfect. <3
Reading your take literally made me cry. So perfect. <3
Very beautiful interpretation... I seldom use the word beautiful. Congrats friend.
Very beautiful interpretation... I seldom use the word beautiful. Congrats friend.
i'm thinking that it is an old couple (hair, old, long), with flashbacks to their younger days? maybe they are not in love and maybe they never really were.
but they remain. or maybe he loves her more than she ever loved him. (i was only for to die beside) (i was only for your very space) (wake up to your starboard bride who goes in and then stays inside) starboard is the steering side of a ship i think.. i'm really not sure but it sounds so sad.
the voicemail sounding thing at the end seems to say (something like) ...really great..sorry darling...i can't really do it.
I get a similar vibe from this. Or might just be a couple heading towards a break-up. Obviously the narrator here has seen this coming, and is now trying to explain why it's for the best.
I get a similar vibe from this. Or might just be a couple heading towards a break-up. Obviously the narrator here has seen this coming, and is now trying to explain why it's for the best.
"There's a fire going out, but there's really nothing to the south."
"There's a fire going out, but there's really nothing to the south."
Also in the beginning it describes a dying relationship:
Also in the beginning it describes a dying relationship:
"Just have to keep a dialogue. Teach our bodies: haunt the cause."
"Just have to keep a dialogue. Teach our bodies: haunt the cause."
To me that says they have nothing to talk about and no lust, but they've just kept it going because you get used to a relationship and...
To me that says they have nothing to talk about and no lust, but they've just kept it going because you get used to a relationship and it's hard to leave it behind.
"I was only for to die beside"
This says that he thinks she only stuck with him because they're too old to find someone new to spend the rest of their lives with. Or at least they or she feels that way.
Full lyrics per Bon Iver's Youtube channel: don't you cherish me to sleep never keep your eyelids clipped hold me for the pops and clicks I was only for the father's crib
hair, old, long along your neck onto your shoulder blades always keep that message taped cross your breasts you won't erase I was only for your very space
hip, under nothing propped up by your other one, face 'way from the sun just have to keep a dialogue teach our bodies: haunt the cause I was only trying to spell a loss
joy, it's all founded pincher with the skin inside you pinned me with your black sphere eyes you know that all the rope's untied I was only for to die beside
so it�¼s storming on the lake little waves our bodies break
there's a fire going out, but there's really nothing to the south
swollen orange and light let through your one piece swimmer stuck to you
sold, I'm Ever open ears and open eyes wake up to your starboard bride who goes in and then stays inside oh the demons come, they can subside
I think it's more of her loving him more. He stayed around to take care of the kids and now he's leaving, asking her to move on and such.
I think it might be about a girl only wanting him for wanting someone. "I was only for your very space" Maybe he's singing about a girl that is hurt and wants someone but he's not THE one. This song just gives me the feeling that from her part it's only lust but from his it's love.
"thuglifeforevs": it would make sense if they were saying that too. because he wants her body, her breasts hips and her neck but still he loves her too much to not be loved back but only used by lust. '
"don't you cherish me to sleep" he wants her to be in love and not let him sleep. It doesn't stop. They can't go to sleep after. Because he's there forever?
I actually don't know at all. Just wanted to share my thoughts on it. And this idea pretty much goes with any line.
Even onto the last line " oh deamons come, they can't subside" there's a lust but no love. deamons.
"wake up to your starboard bride who goes in and then stays inside" This makes me think that maybe he wakes up every day with the hope that she loves him but she hides. Maybe she loves him after all ut she's scared. Maybe this is why he keeps fighting.
"
From an interview:
"Justin Vernon: Calgary really feels like an accomplishment to me. It has a form, a repetitive idea, and a good cadence. I really like the opening line: "Don't you cherish me to sleep." There's that whole thing that happens in relationships-- you can love someone but, as soon as they stop loving you so unconditionally that they stop being themselves, it can be so dangerous."
Source: http://pitchfork.com/features/interviews/7989-bon-iver/
I just drove from Calgary to the US/Canada border the other day. He's right; there really IS nothing to the south.
I saw this concert. In Calgary, my hometown, actually, which was quite the experience.
Justin Vernon stated that the song was made as he dropped out of college and was travelling around Europe. He was in Ireland and he met a man named Paul from Calgary, and this song was written about him. He said they still stayed in touch throughout the years and he was a very, very close friend.
His own words of the meaning of this song :)
Really? I saw him here in Austin for an Austin City Limits taping, and he introduced it by saying he fell in love with a girl from Calgary. I might've misunderstood him.
Really? I saw him here in Austin for an Austin City Limits taping, and he introduced it by saying he fell in love with a girl from Calgary. I might've misunderstood him.
There's probably an element of both.
There's probably an element of both.
I think this song is about the narrator rowing out in a lake with his girlfriend and going swimming during a thunderstorm. The lyrics are, I think, more for sound than for their literal meaning- even if "hair old long along/neck onto your shoulderblades/always keep that message taped/cross your breasts you won't erase" doesn't make any literal sense, it feels and sounds like he's admiring her body while she's swimming.
"Propped up by your other one/face way from the sun"- I think he's sitting in the boat, shielding his eyes from the sun.
Then there's a storm, which is symbolized by the increasingly powerful guitars and drums (plus the first line of that bit of the song is "so it's stormy on the lake"). "Little waves our bodies break" - the water is washing over them but they don't mind.
"Your one piece swimmer stuck to you"- they're getting even wetter, obviously.
Then the storm subsides and they row back to shore to dry off and go to sleep. He wakes up the next morning and she's still there ("wake up to your starboard bride")
Also, the incomprehensible voice at the very end of it is a phone message, left by Bon Iver's manager Kyle Frenette. If you listen to the isolated multitracks for the song, you can hear understand it better- it's something like "...ask two people to pay, and that's not really great, in fact I like really don't want to pay two people right now." I don't think it has anything to do with the rest of the song, it was probably just stuck in there as an easter egg.
@Crane42 easter egg?
@Crane42 easter egg?