The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Dreaming
I was only dreaming
Of another place and time
Where my family's from.
Singing
I can hear them singing.
When the rain had washed away
All these scattered dreams
Dying
Everyone's reminding
Hearts are washed in misery
Drenched in gasoline
Laughter
There is no more laughter
Songs of yesterday
Now live in the underground
Life before the lobotomy
Christian sang the eulogy
Sign my love a lost memory
From the end of the century
Well, it's enough to make you sick
To cast a stone and throw a brick
When the sky is falling down
It burned your dreams into the ground
Christian's lesson is what he's been sold
We are normal and self-controlled
Remember to learn to forget
Whiskey shots and cheap cigarettes
Well I'm not stoned
I'm just fucked up
I got so high I can't stand up
I'm not cursed 'cause I've been blessed
I'm not in love 'cause I'm a mess
Like refugees
We're lost like refugees
Like refugees
We're lost like refugees
The brutality of reality
Is the freedom that keeps me from
Dreaming
I was only dreaming
Of another place and time
Where my family's from.
Singing
I can hear them singing.
When the rain had washed away
All these scattered dreams
Dying
Everyone's reminding
Hearts are washed in misery
Drenched in gasoline
Laughter
There is no more laughter
Songs of yesterday
Now live in the underground
I was only dreaming
Of another place and time
Where my family's from.
Singing
I can hear them singing.
When the rain had washed away
All these scattered dreams
Dying
Everyone's reminding
Hearts are washed in misery
Drenched in gasoline
Laughter
There is no more laughter
Songs of yesterday
Now live in the underground
Life before the lobotomy
Christian sang the eulogy
Sign my love a lost memory
From the end of the century
Well, it's enough to make you sick
To cast a stone and throw a brick
When the sky is falling down
It burned your dreams into the ground
Christian's lesson is what he's been sold
We are normal and self-controlled
Remember to learn to forget
Whiskey shots and cheap cigarettes
Well I'm not stoned
I'm just fucked up
I got so high I can't stand up
I'm not cursed 'cause I've been blessed
I'm not in love 'cause I'm a mess
Like refugees
We're lost like refugees
Like refugees
We're lost like refugees
The brutality of reality
Is the freedom that keeps me from
Dreaming
I was only dreaming
Of another place and time
Where my family's from.
Singing
I can hear them singing.
When the rain had washed away
All these scattered dreams
Dying
Everyone's reminding
Hearts are washed in misery
Drenched in gasoline
Laughter
There is no more laughter
Songs of yesterday
Now live in the underground
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I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
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greenday2012vp: i get more out of these songs then i would with books (not that i dont LOVE to read)...but i think they're more meaningful in songs form. billie has said that 21st century breakdown is the continuation of american idiot and i can really see that right here. This song always gives you something more the more times you listen to it. my favorite line is probably remember to learn to forget...it reminds me of 1984 by george orwell
    To continue with the idea expressed by greenday2012vp, I would argue that a book for each album would not work. I also feel that as poignant as the new album can be at times,  it (even and perhaps especially if American Idiot and 21st Century Breakdown are viewed as one overall artistic work) only tells one part of the Christian/Gloria story. Fully told, Christian's story would probably be a much larger piece spanning several albums. <br />    Act I would most likely begin with Longview and Who Wrote Holden Caulfield as a means of setting the stage for his disillusionment with society. Here he is simply a bored suburban kid, reduced to intermittent masturbation by a semi-dysfunctional family and environment. As he drifts through suburbia, his boredom begins to shift to discontent, at first playfully (Basket Case, Walking Contradiction, and Minority), but slowly taking on an edge as he begins to rail against traditions of all sorts, i.e. politicians (Jackass, Holiday) and religion (East Jesus Nowhere) until he finally hits a breaking point (Jesus of Suburbia) and leaves for the city.<br />     Act II would probably open with Welcome to Paradise, as Christian arrives in the slums of the city, living among the lost and damned. It is there, seeking something more, that he meets St. Jimmy, a charismatic drug dealer modeled in part on Tyler Durden (St. Jimmy). At first the fixes provide an amazing release for him, allowing him to fly higher than he's ever flown before (Best Thing in Town). However, the highs do not free him but rather cloud his mind and desensitize him to the suffering around him (Brain Stew, Desensitized). Over time he slides into a deep depression and the heroin is all he has to keep him together (Give Me Novocaine). While there, he meets Gloria, one of the girls Jimmy keeps around him (Extraordinary Girl). He quickly attaches to her, but she becomes disgusted with Christian and grows hateful of St. Jimmy because she blames him for Christian's decay. After a particularly bad fight (Viva la Gloria?-Little Girl), she denounces both Christian and Jimmy and leaves (Letterbomb). The very next morning, Christian goes to Jimmy and demands out (J. A. R.). Things get violent and St. Jimmy ends up dead (Homecoming Parts I and II). Having nowhere else to go, he wanders.<br />    Act III is largely about Christian withdrawing from heroin and wandering the streets in search of himself. He spends much of the day wandering the streets (Boulevard of Broken Dreams, Wake Me Up When September Ends) until he crashes in an alley and sleeps. Christian then enetrs a hellish dream sequence in which he begins to process all that has happened to him over the past two acts (21st Century Breakdown, Before the Lobotomy, Christian's Inferno). He wakes a broken man and professes his love for Gloria (Last Night on Earth) before going in search of her. This decision, combined with the high from a little heroin he has left, leads him to return to Jimmy's old hangout to rough up some of Jimmy's old gang (Horseshoes and Handgrenades). Battered yet triumphant, he arrives at an abandoned house in which Gloria lives that evening.<br />     Act IV deals with the new relationship between Christian and Gloria, which begins with a bit of role reversal; Gloria got into a dustup with an old boyfriend that left her badly shaken, and she finds herself turning to Christian for comfort. He reassures her (One for the Razorbacks) and they sleep together (1,000 Hours). That evening, a riot takes place in the area, forcing them out of the house. Some of the other displaced street urchins rally behind Gloria and Christian and they do what they can to protect each other (Murder City). Christian sees this group as a chance for a new beginning (¡Viva la Gloria!). However, at the same time, a second wave of rioting interrupts this vision (American Eulogy) and many in his new group are killed. Gloria is sent to the hospital. This latest loss very nearly drives Christian over the edge (The Static Age) and forces him to question whether it was all worth it (21 Guns). The act ends with Christian by Gloria's side in the hospital expressing hope for the future (See the Light).Â