Rael:
I wandered lonely as a cloud,
Till I came upon this dirty street.
I've never seen a stranger crowd;
Slubberdegullions on a squeaky feet,
Continually pacing,
With nonchalant embracing,
Each orifice disgracing
And one facing me moves to say "hellay".
His skin's all covered in slimy lumps.
With lips that slide across each chin.
His twisted limbs like rubber stamps
Are waved in welcome say 'Please join in.'
My grip must be flipping,
Cos his handshake keeps slipping,
My hopes keep on dipping
And his lips keep on smiling all the time.

Slipperman:
"We like you, have tasted love.
Don't be alarmed at what you see,
You yourself are just the same
As what you see in me."

Rael:
Me, like you? like that!

Slipperman:
"You better watch it son, your sentence has only just begun
You better run and join your brother John."
A VISIT TO THE DOKTOR

Slipperman:
"You're in the colony of slippermen.
There's no who? why? what? or when?
You get out if you've got the gripe
To see, Doktor Dyper, reformed sniper
he'll whip off your windscreenwiper

Rael:
John and I are able
To face the Doktor and his marble table.

The Doktor:
Understand Rael, it's the end of your tail.

Rael:
"Don't delay, dock the dick!"
I watch his countdown timer tick
THE RAVEN
He places the number into a tube,
A yellow plastic "shoobedoobe".
It says: "Though your fingers may tickle
You'll be safe in our pickle."
Suddenly, black cloud comes down from the sky.


Lyrics submitted by Arial

The Colony of Slippermen: The Arrival/A Visit to the Doktor/The Raven Lyrics as written by Phil Collins Anthony George Banks

Lyrics © CONCORD MUSIC PUBLISHING LLC, Sony/ATV Music Publishing LLC

Lyrics powered by LyricFind

The Colony of Slippermen: The Arrival/A Visit to the Doktor/The Raven song meanings
Add Your Thoughts

4 Comments

sort form View by:
  • +4
    General Comment

    How could no one have commented thus far? Well this song is very important in furthering the storyline of "Lamb". After eating the flesh of the Lamia, Rael turns into a Slipperman, but doesn't realise until others tell him they are as hideous as him. He meets his brother John (himself) again and they discuss the predicament. He is informed that the only way to free himself from serving as a 'sense satisfier' is to be castrated by Doctor Dyper, reformed Sniper... when all seems to be uncomfortable, yet looking up for the pair, a raven swoops through, picks up the remains of Rael's package, ironically packaged up and he tells John they should follow it to get it back. Poor Rael. He expects John to happily follow him along (after being deserted by him before he wouldn't think it would happen again) but just his luck, his brother doesn't want to endanger himself, so Rael is on his own. He follows the raven through the caverns and finally sees the outside for the first time since 'Fly on a Windshield'/'Broadway Melody of 1974'. The raven drops the package into a ravine and he prepares to go down to retrieve it.

    But what does all this mean? well... This song prepares Rael for his biggest challenge, forgiving John in the rapids further after deserting him in this song. It shows Rael's desperation through his instant decision to escape Slippermanitis through castration and also for a taste of social interaction: along the journey, which didn't even take a day (but seems forever, in a amazingly good way), he only saw the Carpet Crawlers, Seer, Lamia and Slippermen, putting aside John. His isolation is prevailent in all the other pieces (especially the instrumentals which capture this alienation well) and his immediate urge to talk to the Slippermen reveals how out of place he is. It is also the start of Rael understanding his split personality and appreciating life. Some of the imagery is a little disturbing. It is my most disliked track on the album because of the forced rhyming, but musically the tune captures the mood Gabriel tries to communicate well... exceptionally.

    It really is captivating stuff. Anyway, (excuse the pun) this song really is for furthering the plot and was a centrepiece of live performances with G dressing up as a Slipperman himself, giving a barely audible performance, but nonetheless... the creativity was immense and although the band didn't have much room to vent their musical spleens throughout the rest of the album, the have the opportunity numerously in this piece.

    70% rating for the song. 95% rating for the album :-) Thanks. Arial XK.

    Arialon December 31, 2007   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Dreamwalker
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Album art
No Surprises
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Album art
Punchline
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
Album art
Amazing
Ed Sheeran
Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.
Album art
Page
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.