This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Seven hours later
She takes the elevator
To the second floor
To the underground commitee
That's where they'll decide if
You'll be praised or you'll be tied up
On the bathroom floor
As you scream for more
All the souls are dying
While the idiots are trying
To convince you that they're cooler
But they still don't know
They're about to lose control
And they'll be saying now
Calling radio Tokyo
The lines are down, you're good to go
Now can't you feel
This is real
Calling radio Tokyo
The kids are feeling way too low
They're on their knees
Won't somebody please just bring them home
Get out of the black car
On the sidewalk of the big stars
Of the now and then
Kinda feels a little late
Someone had a bad day
So they sold your soul on Ebay
With an 8 x 10
Autographed in pen
All the souls are dying
while some idiots are trying
To convince you that they're cooler
but they still don't know
They're about to lose control
And they'll be saying now
Calling radio Tokyo
The lines are down, you're good to go
Now can't you feel
This is real
Calling radio Tokyo
The kids are feeling way too low
They're on their knees
Won't somebody please just bring them home
Seven hours later
she takes the elavator
to the second floor
and there was no more.
Calling radio Tokyo
The lines are down, you're good to go
This is real, can't you feel
Calling radio Tokyo
The kids are feeling way too low
They're on their knees
Won't somebody please just bring them home
Calling radio Tokyo
The kids are feeling way too low
They're on their knees
Won't somebody please just bring them home
She takes the elevator
To the second floor
To the underground commitee
That's where they'll decide if
You'll be praised or you'll be tied up
On the bathroom floor
As you scream for more
All the souls are dying
While the idiots are trying
To convince you that they're cooler
But they still don't know
They're about to lose control
And they'll be saying now
Calling radio Tokyo
The lines are down, you're good to go
Now can't you feel
This is real
Calling radio Tokyo
The kids are feeling way too low
They're on their knees
Won't somebody please just bring them home
Get out of the black car
On the sidewalk of the big stars
Of the now and then
Kinda feels a little late
Someone had a bad day
So they sold your soul on Ebay
With an 8 x 10
Autographed in pen
All the souls are dying
while some idiots are trying
To convince you that they're cooler
but they still don't know
They're about to lose control
And they'll be saying now
Calling radio Tokyo
The lines are down, you're good to go
Now can't you feel
This is real
Calling radio Tokyo
The kids are feeling way too low
They're on their knees
Won't somebody please just bring them home
Seven hours later
she takes the elavator
to the second floor
and there was no more.
Calling radio Tokyo
The lines are down, you're good to go
This is real, can't you feel
Calling radio Tokyo
The kids are feeling way too low
They're on their knees
Won't somebody please just bring them home
Calling radio Tokyo
The kids are feeling way too low
They're on their knees
Won't somebody please just bring them home
Lyrics submitted by HaRuKa
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“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.