She’s miss….
Loves dirt for diamonds
Gargles spiders
Stops time then steels lipstick
Tonight she’ll light one hundred cannons off one cigarette
She’s fast like snapping gun guys, cold like cellars bare foot
And the only poem she knows is the club down the street…
Then: the kind of woman you could love walks in:
She circles her
Beauty marks with the wet end
Of a blue pen
Staring softly through the high school play props and postcard parts of grown men
She knows we jerk off to the daughters of the world
She’s all that’s beautiful and opposite sad music
Running through fields
In soft focus towards each other
And yet you
You boy you
You were so difficult so black hole in a china shop
Now: She climbs the girth
Of one small stone step somewhere
Screaming vaginal sabotage in the sun
To the purse of loosely pinched flesh
Between the pit formed by her upper arm chest and top adjoining
There, you were…
You were boy with all the walls
And so she took her sugar elsewhere
Whilst you shuffle with enlightment to date…
She left you for the undertaker and his sensitive side,
who'd say, "Baby morgues are people too, and I.. and I.. and I.. and I, after all, dear, I love you."
And he’s so heavy…
When you open your mouth
She removes her gloves
And the sea pours mighty
From her hollowed sleeves
Until everything that’s solved in
Life now begins to float around your socked and soaking ankles
Locks of semen
Tiny spears of beard
Clumps of baby teeth and even
A few cut feet of umbilical ribbon
Until you shut your eyes to
Draw the gloves back on her
Gushing and half finished wrists…
She brings the deluge
You bring nothing but a rafts rope between your teeth
And some poem about yourself
He’s so heavy…
Loves dirt for diamonds
Gargles spiders
Stops time then steels lipstick
Tonight she’ll light one hundred cannons off one cigarette
She’s fast like snapping gun guys, cold like cellars bare foot
And the only poem she knows is the club down the street…
Beauty marks with the wet end
Of a blue pen
Staring softly through the high school play props and postcard parts of grown men
She knows we jerk off to the daughters of the world
She’s all that’s beautiful and opposite sad music
Running through fields
In soft focus towards each other
You boy you
You were so difficult so black hole in a china shop
Of one small stone step somewhere
Screaming vaginal sabotage in the sun
To the purse of loosely pinched flesh
Between the pit formed by her upper arm chest and top adjoining
You were boy with all the walls
And so she took her sugar elsewhere
Whilst you shuffle with enlightment to date…
who'd say, "Baby morgues are people too, and I.. and I.. and I.. and I, after all, dear, I love you."
She removes her gloves
And the sea pours mighty
From her hollowed sleeves
Until everything that’s solved in
Life now begins to float around your socked and soaking ankles
Tiny spears of beard
Clumps of baby teeth and even
A few cut feet of umbilical ribbon
Until you shut your eyes to
Draw the gloves back on her
Gushing and half finished wrists…
You bring nothing but a rafts rope between your teeth
And some poem about yourself
Add your song meanings, interpretations, facts, memories & more to the community.
I love this song. Everytime I hear it, it has new meaning strung into it's words, but quite consistantly, and most intelligibly, it is about a bumbling idiot virgin (presumably) who falls in love with a sexy, cynical woman and hasn't the slightest on how to please her.
There is quite a lot in the song suggesting a violent courtship following the initial attraction, or at the very least, a rape followed by remorse on the part of the virgin 'You'. (Tiny spears of beard, you bring nothing but a raft's hope, as well as the man's presense at the climax of the song.)
A confrontation leads to fighing and an eventual slit-wristed suicide of the girl right in front of the man who sired her child, as depicted rather obviously in the last bits of the song: Proof, of course, that she did indeed leave 'you' for the Undertaker and his Baby Morgues.
@Derek_Hart Wow... Ten years since you posted your interpretation of these lyrics and nobody else has so much as attempted to analyze or annotate even on Genius Lyrics’ website/app...
I mean I can’t necessarily blame them, the masses, for their reticence on this one. It’s a pretty daunting and opaque poem even by Subtle’s standards.
I’d like to take a swing at it momentarily but I’m not sure if this website is glitching or what so this initial post is a sort of test run which I’ll follow with my own thoughts, presuming no glitches.
Btw, I really like your thoughts on She and appreciate your perception and time taken to share.
Thanks Derek!
Hope you cruise back by this site again soon (if you’re still with us).