Don't you want to know the truth about dishonorable discharge?
For that special one-gun salute to the fellow N.R.A. holes.

Yada yada yada yada
Plaster every sore.

A question for you my self proclaimed profits, are you angry?
Now you can go from cocaine onto Rogaine in 2.5 seconds.
So become your very own post-civilized, flawless, best friend.

Microprocessor, microprocessor upon microprocessor upon microprocessor.

Dear fools and barbarians why don't you ask yourself if you can still recall the Alamo.
In this botched blitzkrieg of drive-through culture and sweaty cadaver driven vessels.

So call it a lifestyle, but it's really a filthy fucking traffic jam in.
Disguise...
And you won't say shit even if your mouth is full of it.
Even if your mouth is full of it.


Is this fun yet?
Hold those horses, and jump up that ass.
Slobber slobber and climb up that spine.


Lyrics submitted by J!A!C!O!B

Armless and Overactive/Invented Organs song meanings
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6 Comments

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  • 0
    General Comment

    This song just makes me smile

    tyboisfunon June 21, 2006   Link
  • 0
    General Comment

    Oh man, from 5:56 to the end of the track are my favorite 16 seconds of music the Locust have ever recorded. I think they have so much more talent than almost any other group, math or otherwise. I don't know how much time they actually spend on this, but the individual riffs and all the minute sounds and precise timing are pulled off so perfectly. I honestly think if they dumbed the stuff from "Plague Soundscapes" onward down and repeated and slowed down some of their best riffs a lot more they could be (relatively) big. Not that I'd ever want them to do that, I think knowing when to let a piece get off the stage allows you to tolerate a song for many more listens, gives you stuff to discover as you do listen to it more, and just makes for denser, BETTER music overall.

    sarsXdaveon January 16, 2007   Link
  • 0
    General Comment

    One of the most cerebrally dissecting pieces of music I've ever experienced, these fuckers are on another level. Plague Soundscapes proved they weren't fucking around, Safety Second just show they're after fucking blood.

    SaviorSalvation213on March 17, 2007   Link
  • 0
    General Comment

    "...they went from cocaine to Rogaine. And you know something? They're still counting grams, only now it's fat grams." - George Carlin

    Everyone loves baby boomers.

    PianoIslandArsoniston May 05, 2007   Link
  • 0
    General Comment

    wow, it anybody can quote bill hicks in music and think their cool, tool can do it and be cool.

    but u know a band that quotes george carlin [and is able to pull it off] is fucking amazing.

    deadcow666on August 11, 2007   Link
  • 0
    General Comment

    Such an amazing song.

    Beatseton November 10, 2008   Link

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Well, in my opinion this song is about being a young & maybe a little naive &/or introverted girl and finding yourself loving a man who is at first very charming, carefree & outgoing, and seems at first to be without limits, as in "There was a time you opened up every doorway you didn't mind if everything wasn't your way" then that man starts to gradually become more introverted & shows their more possessive/obsessive side to you as the relationship progresses, even while they keep up the appearance of being carefree & outgoing to everyone else, "Don't pull away that goes against what you told me I look in your eyes I realize what you've sold me is love in a vacuum" so you confront them about the way they're acting and of course they deny it, "I think you've changed but you insist that that's not true" quite possibly they are an addict of some sort, my guess would be cocaine, &/or showing very obsessive behavior towards you (early on in the video for this song we see the man hanging a picture up, it is a very large portrait of Aimee & it is prominently displayed in his/their apartment for the duration of the song), thus their "love in a vacuum", "You look so strange, so distant that you're hardly you Now I can see how you have been acting different You say it's me but I know that it isn't it's love in a vacuum" but still you are in love with them and don't want to leave them and you know that they are truly in love with you and they don't want you to leave them either, maybe they are convinced you can save them from themself, maybe they are so broken that the possibility of an overdose &/or suicide attempt is very real and you want to get through to them that their behavior not only dangerous but it is also just pissing you off and if they don't wise up they run the risk of loosing you, as in the lines "You will be lonely if you leave me alone", so you want to save them but can't get through to them due to the addiction &/or emotional problems they have, "Love in a vacuum and that's not enough love in a vacuum You will be lonely you'll be the only one who feels this way You will be lonely if you leave me alone You will be lonely you'll be the only one who feels this way it's just not enough" you want them to understand that the love they are giving you is not enough when it is filtered through the vacuum of their drug addiction &/or emotional impairment, "You will be lonely you'll be the only one who feels this way it's just not enough and just wait you will be lonely Love in a vacuum Love in a vacuum and that's not enough Love in a vacuum". 'Love In A Vacuum' for me is a hauntingly truthful acute argument on the loneliness of obsession and almost inevitable loss of love that follows people who are broken in some way or another; the obsessives, the coke heads, the drunks, addicts or the just-plain-old emotionally broken; a razor sharp, lyrically driven, deceptively poppy, yet ultimately-depressing-in-the-best-way song. Quintessential Aimee Mann.