Warren wanted a Beach Boys thing for this one, and Carl Wilson and Billy Hinsche came in, with Carl arranging the vocal parts. The other harmony vocalists (credited as the "Gentlemen Boys") were Jackson Browne, J.D. Souther, Zevon's longtime backers Waddy Wachtel and Jorge Calderon, and Linda Rondstadt/Stone Poneys guitarist Kenny Edwards.
She was lying on the floor and counting stretch marks
She hadn't been a virgin and he hadn't been a god
So she named the baby Elvis
To make up for the royalty he lacked
And from then on it was turpentine and patches
From then on it was cold Campbell's from the can
And they were just two jerks playing with matches
'Cause that's all they knew how to play
And it was raining cats and dogs out side of her window
And she knew they were destined to become
Sacred road kill on the way
And she was listening to the sound of heavens shaking
Thinking about puddles ah, puddles and mistakes
'Cause it's been turpentine and patches
It's been cold, cold Campbell's from the can
And they were just two jerks playing with matches
'Cause that's all they knew how to play
Elvis never could carry a tune
And she thought about this irony as she stared back at the moon
She was tracing her years with her fingers on her skin
Saying well why don't I begin again?
With turpentine and patches
With cold, cold Campbell's from the can
After all I'm still a jerk playing with matches
It's just that he's not around to play along yeah
I'm still an ass hole playing with candles
Blowing out wishes blowing out dreams
Just sitting here and trying to decipher
What's written in Braille upon my skin oh oh ah
All this skin
She was lying on the floor and counting stretch
She was lying on the floor and counting stretch
She was lying on the floor, l-l-lying, l-l-lying
And a-counting stretch
She hadn't been a virgin and he hadn't been a god
So she named the baby Elvis
To make up for the royalty he lacked
And from then on it was turpentine and patches
From then on it was cold Campbell's from the can
And they were just two jerks playing with matches
'Cause that's all they knew how to play
And it was raining cats and dogs out side of her window
And she knew they were destined to become
Sacred road kill on the way
And she was listening to the sound of heavens shaking
Thinking about puddles ah, puddles and mistakes
'Cause it's been turpentine and patches
It's been cold, cold Campbell's from the can
And they were just two jerks playing with matches
'Cause that's all they knew how to play
Elvis never could carry a tune
And she thought about this irony as she stared back at the moon
She was tracing her years with her fingers on her skin
Saying well why don't I begin again?
With turpentine and patches
With cold, cold Campbell's from the can
After all I'm still a jerk playing with matches
It's just that he's not around to play along yeah
I'm still an ass hole playing with candles
Blowing out wishes blowing out dreams
Just sitting here and trying to decipher
What's written in Braille upon my skin oh oh ah
All this skin
She was lying on the floor and counting stretch
She was lying on the floor and counting stretch
She was lying on the floor, l-l-lying, l-l-lying
And a-counting stretch
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Spirit Within
Bertoldi Brothers
Bertoldi Brothers
The Spy
Doors, The
Doors, The
Like a lot of the other comments are saying, I think this mainly about voyeurism. If the song was about his girlfriend, then why would he use the word spy. If you are a spy it means you shouldn't be caught, that is kind of the whole point, and if you are a voyeur, the whole point of the pleasure you get from it, is the fact that the other people don't know you are watching them. See a bit of a connection there?
Fortnight
Taylor Swift
Taylor Swift
The song 'Fortnight' by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word 'fortnight' shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
Fast Car
Tracy Chapman
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Holiday
Bee Gees
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Am I totally off?
I think this is a song about a woman who regrets having an abortion. She & the father were just goofing around, but she still kind of got attached to the idea of having this child. Then the father took off (he's not around to play along), and she realized she and her baby would be in poverty (eating cold soup from a can), possibly homeless or dead (roadkill). So it's turpentine (to induce abortion) and patches (to prevent another pregnancy).
The playing with matches bit -- in my local culture that's a euphemism for playing with sex. Matches are great under the right circumstances, and destructive under others. And these two were apparently bored; they didn't know what else to play.
Elvis couldn't carry a tune because he never had a chance. She's blowing out birthday candles for him, blowing out the dream of him being a singer... thinking about puddles (of blood possibly? amniotic fluid? vomit from drinking turpentine?) -- thinking about actually being a mom, wondering if she could now (tracing her years) and saying she's still incapable (just a jerk playing with matches). And trying to make out the meaning of it all, like the stretchmarks can deliver a message she was blind to all along...
I totally agree. After all, who really thinks having a child is a mistake? That's an awful thing to say.