This song is def a twin to "Unfair" (a song she has been quoted as saying is about falling in love with someone who is already in a relationship) so it is presumably about the same person. Given the references to buying an apartment and not being able to see her love interest "after tonight," it's most likely that she's moving away and she'll "wait a day to break the bad news" (i.e. notifying him that she's leaving once she's already gone).
And, of course, the fact that she sees in him a fellow "idealist" and "dreamer" (terms commonly given to people with the INFP personality on the Myers–Briggs Type Indicator (MBTI)) portends that she'll always be left wondering if they would've been perfect together.
Yeah
Uh-huh
So seductive
I'll take you to the candy shop
I'll let you lick the lollipop
Go 'head, girl, don't you stop
Keep goin' 'til you hit the spot, whoa
I'll take you to the candy shop (yeah)
Boy, one taste of what I got (uh-huh)
I'll have you spendin' all you got (come on)
Keep goin' 'til you hit the spot, whoa
You could have it your way, how do you want it?
You gon' back that thing up, or should I push up on it?
Temperature risin', okay, let's go to the next level
Dance floor jam-packed, hot as a tea kettle
I break it down for you now, baby, it's simple
If you be a nympho, I'll be a nympho
In the hotel, or in the back of the rental
On the beach or in the park, it's whatever you into
Got the magic stick, I'm the love doctor
Have your friends teasin' you 'bout how sprung I got ya
Wanna show me how you work it, baby? No problem, get on top
Then get to bouncin' 'round like a little rider
I'm seasoned vet when it come to this shit
After you work up a sweat you can play with this stick
I'm trying to explain, baby, the best way I can
I melt in your mouth girl, not in your hands, ha-ha
I'll take you to the candy shop
I'll let you lick the lollypop
Go 'head, girl, don't you stop
Keep goin' 'til you hit the spot, whoa
I'll take you to the candy shop
Boy, one taste of what I got
I'll have you spendin' all you got
Keep goin' 'til you hit the spot, whoa
Girl, what we do (what we do)
And where we do (and where we do)
The things we do (things we do)
Are just between me and you, yeah (oh yeah)
Give it to me, baby, nice and slow
Climb on the top, ride like you in a rodeo
You ain't never heard a sound like this before
'Cause I ain't never put it down like this
Soon as I come through the door, she get to pullin' on my zipper
It's like it's a race, who could get undressed quicker
Isn't it ironic how erotic it is to watch her in thongs?
Had me thinkin' 'bout that ass after I'm gone
I touch the right spot at the right time
Lights on or lights off, she like it from behind
So seductive you should see the way she whine
Her hips in slow mo' on the floor when we grind
Long as she ain't stoppin', homie, I ain't stoppin'
Drippin' wet with sweat, man, it's on and poppin'
On my champagne campaign, bottle after bottle, it's on
And we gon' sip 'til every bubble in every bottle is gone
I'll take you to the candy shop
I'll let you lick the lollypop
Go 'head, girl, don't you stop
Keep goin' 'til you hit the spot, whoa
I'll take you to the candy shop
Boy, one taste of what I got
I'll have you spendin' all you got
Keep goin' 'til you hit the spot, whoa
I'll take you to the candy shop
I'll let you lick the lollypop
Go 'head, girl, don't you stop
Keep goin' 'til you hit the spot, whoa
I'll take you to the candy shop
Boy, one taste of what I got
I'll have you spendin' all you got
Keep goin' 'til you hit the spot, whoa
Uh-huh
So seductive
I'll take you to the candy shop
I'll let you lick the lollipop
Go 'head, girl, don't you stop
Keep goin' 'til you hit the spot, whoa
I'll take you to the candy shop (yeah)
Boy, one taste of what I got (uh-huh)
I'll have you spendin' all you got (come on)
Keep goin' 'til you hit the spot, whoa
You could have it your way, how do you want it?
You gon' back that thing up, or should I push up on it?
Temperature risin', okay, let's go to the next level
Dance floor jam-packed, hot as a tea kettle
I break it down for you now, baby, it's simple
If you be a nympho, I'll be a nympho
In the hotel, or in the back of the rental
On the beach or in the park, it's whatever you into
Got the magic stick, I'm the love doctor
Have your friends teasin' you 'bout how sprung I got ya
Wanna show me how you work it, baby? No problem, get on top
Then get to bouncin' 'round like a little rider
I'm seasoned vet when it come to this shit
After you work up a sweat you can play with this stick
I'm trying to explain, baby, the best way I can
I melt in your mouth girl, not in your hands, ha-ha
I'll take you to the candy shop
I'll let you lick the lollypop
Go 'head, girl, don't you stop
Keep goin' 'til you hit the spot, whoa
I'll take you to the candy shop
Boy, one taste of what I got
I'll have you spendin' all you got
Keep goin' 'til you hit the spot, whoa
Girl, what we do (what we do)
And where we do (and where we do)
The things we do (things we do)
Are just between me and you, yeah (oh yeah)
Give it to me, baby, nice and slow
Climb on the top, ride like you in a rodeo
You ain't never heard a sound like this before
'Cause I ain't never put it down like this
Soon as I come through the door, she get to pullin' on my zipper
It's like it's a race, who could get undressed quicker
Isn't it ironic how erotic it is to watch her in thongs?
Had me thinkin' 'bout that ass after I'm gone
I touch the right spot at the right time
Lights on or lights off, she like it from behind
So seductive you should see the way she whine
Her hips in slow mo' on the floor when we grind
Long as she ain't stoppin', homie, I ain't stoppin'
Drippin' wet with sweat, man, it's on and poppin'
On my champagne campaign, bottle after bottle, it's on
And we gon' sip 'til every bubble in every bottle is gone
I'll take you to the candy shop
I'll let you lick the lollypop
Go 'head, girl, don't you stop
Keep goin' 'til you hit the spot, whoa
I'll take you to the candy shop
Boy, one taste of what I got
I'll have you spendin' all you got
Keep goin' 'til you hit the spot, whoa
I'll take you to the candy shop
I'll let you lick the lollypop
Go 'head, girl, don't you stop
Keep goin' 'til you hit the spot, whoa
I'll take you to the candy shop
Boy, one taste of what I got
I'll have you spendin' all you got
Keep goin' 'til you hit the spot, whoa
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Van Halen
The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
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Thursday
Thursday
In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
The Night We Met
Lord Huron
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
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Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
This is the kind of music that is destroying America. In the world of music there are two parts that make up a song. The first part is the actual "music" part of the song, you know, instruments. There is absolutely no musical quality to rap, whatsoever. Making music is spending time mastering an instrument and writing the music yourself, not having some random person make up a beat on Fruity Loops in 5 minutes. However, it is the lyrics which are the most destructive. As TV and movies convey sex and drugs, rap ties the knot. Little boys and girls are becoming more and more influenced to sell themselves(girls, literally)out to be more like rappers;"get rich or die trying". What the hell is that supposed to mean? There's more to life than money and fame, and people who can't see that are pretty damn insecure. People need to stop trying to impress others and be themselves. I'd really want to hear what 50 cent would have to say to his child or grandchild when they ask him what his songs are about. Not only is rap conveying a terrible message to people, but also dumbs people down too. According to rappers, grammar doesn't matter if you've got a big house and a ton of cash. Don't worry, you still sound like f** morons. I know that there is some rap out there that DOES convey a good message or story, and I'd like to see more of it instead of the shit that gets played through the radio. Oh yeah, and for all those guys who call other guys fags because we don't like listening to music that's about sex, it's just that we appreciate women more than you do. Cheers to the ladies! Dont' succomb to rap. You're better than that!